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Setting out with the Herd
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Setting out with the Herd
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Setting out with the Herd
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Setting out with the Herd
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Ford of a River
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Ford of a River
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Ford of a River
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Ford of a River
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Italian Landscape
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Parboni, Aquiles -Lithographer- (After Spierinckx, Pieter); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Italian Landscape
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Parboni, Aquiles -Lithographer- (After Spierinckx, Pieter); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Aquiles Parboni que reproduce el lienzo de Pieter Spierickx (1635-1711) conservado en el Museo Nacional del Prado (P01781). Es la estampa LXXIII que va acompañada de un texto expl [+]

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