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The Relief of Genoa by the 2nd Marquis of Santa Cruz
Oil on canvas. 1634 - 1635
Pereda y Salgado, Antonio de
The Relief of Genoa by the 2nd Marquis of Santa Cruz
Oil on canvas. 1634 - 1635
Pereda y Salgado, Antonio de

Here, the doge of the Republic of Genoa emerges through the gates of the city in order to receive Don Álvaro de Bazán, the Marquis of Santa Cruz, who has arrived as the commander of a fl [+]

The Immaculate Conception
Oil on canvas. 1636
Pereda y Salgado, Antonio de
The Immaculate Conception
Oil on canvas. 1636
Pereda y Salgado, Antonio de

Among the painters working in Madrid, Pereda possessed one of the most distinctive styles, which derived from his study of Flemish and Venetian painting and is evident in works that combine chromatic [+]

The Annunciation
Oil on canvas. 1637
Pereda y Salgado, Antonio de
The Annunciation
Oil on canvas. 1637
Pereda y Salgado, Antonio de

Pointing with its left hand to God the Father, the Archangel Gabriel appears to Mary to tell her that she will conceive a child. The Dove of the Holy Spirit descends in a ray of light above the Virgin [+]

Christ, Man of Sorrows
Oil on canvas. 1641
Pereda y Salgado, Antonio de
Christ, Man of Sorrows
Oil on canvas. 1641
Pereda y Salgado, Antonio de

In this image of Christ embracing the Cross, all of the elements converge to communicate suffering, sacrifice and resignation. In contrast to much visual iconography of the Passion, the Cross is repre [+]

Saint Jerome
Oil on canvas. 1643
Pereda y Salgado, Antonio de
Saint Jerome
Oil on canvas. 1643
Pereda y Salgado, Antonio de

Saint Jerome is depicted meditating on the Last Judgment, as indicated by the print in the book, which reproduces a model by Albrecht Dürer. He is surrounded by various vanitas, such as the skull [+]

Saint Peter freed by an Angel
Oil on canvas. 1643
Pereda y Salgado, Antonio de
Saint Peter freed by an Angel
Oil on canvas. 1643
Pereda y Salgado, Antonio de

Saint Peter is miraculously freed from prison in Jerusalem (Acts 12, 1-11) by an angel so that he can continue to evangelize. The chains and shackles lying open on the floor and the angel pointing tow [+]

Saint Francis of Assisi in the Portiuncula
Oil on canvas. 1664
Pereda y Salgado, Antonio de
Saint Francis of Assisi in the Portiuncula
Oil on canvas. 1664
Pereda y Salgado, Antonio de

The Virgin and Child appear to Saint Francis in the Portiuncula, near Assisi. The angel gathering roses at the lower left corner and those in the sky bearing bouquets of the same flowers refer to the [+]

The Agony in the Garden
Pencil ground, Red wash on dark yellow paper. XVII century
Pereda y Salgado, Antonio de
The Agony in the Garden
Pencil ground, Red wash on dark yellow paper. XVII century
Pereda y Salgado, Antonio de

En la escena aparece, en primer término, un Apóstol tendido. En el centro Cristo arrodillado, de perfil a la izquierda con las manos juntas. A la izquierda el ángel y a la derecha, en segundo término, [+]

Saint Paul
Black chalk on yellow paper. XVII century
Pereda y Salgado, Antonio de
Saint Paul
Black chalk on yellow paper. XVII century
Pereda y Salgado, Antonio de

Figura de frente, de más de medio cuerpo, con un libro y una espada. El modelo y la técnica, tan blanda y sensual, son característicos de Pereda. Podría pensarse, dado el carácter y las proporciones d [+]

The crucified Christ
Pencil on yellow laid paper. 1648
Pereda y Salgado, Antonio de
The crucified Christ
Pencil on yellow laid paper. 1648
Pereda y Salgado, Antonio de

Crucificado de frente, con la cabeza alzada hacia la derecha. Una calavera a los pies de la Cruz. Estuvo atribuido a Luis Tristán en la colección Lefort, pero la fecha excluye la atribución a este art [+]

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