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Prince Baltasar Carlos on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1825
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Prince Baltasar Carlos on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1825
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Landscape
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Alexis, Victor -Lithographer- (The Original Work, According To Inscriptions, Attributed To Poussin, Nicolas); Dughet, Gaspard (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Alexis, Victor -Lithographer- (The Original Work, According To Inscriptions, Attributed To Poussin, Nicolas); Dughet, Gaspard (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Víctor Alexis que reproduce el óleo de Gaspard Dughet conservado en el Museo Nacional del Prado (P02307), el lienzo en su momento se creía de Poussin como se indica en la letra de [+]

Landscape
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Alexis, Victor -Lithographer- (The Original Work, According To Inscriptions, Attributed To Poussin, Nicolas); Dughet, Gaspard (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Alexis, Victor -Lithographer- (The Original Work, According To Inscriptions, Attributed To Poussin, Nicolas); Dughet, Gaspard (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Víctor Alexis que reproduce el óleo de Gaspard Dughet conservado en el Museo Nacional del Prado (P02307), el lienzo en su momento se creía de Poussin como se indica en la letra de [+]

Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace J [+]

Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace J [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Paolo Veronés (P00498), conservado en el Museo Nacional del Prado. De esta estampa existen pocos ejemplare [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Paolo Veronés (P00498), conservado en el Museo Nacional del Prado. De esta estampa existen pocos ejemplare [+]

The Holy Family
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Palmaroli, Cayetano -Lithographer- (After Cantarini, Simone); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Palmaroli, Cayetano -Lithographer- (After Cantarini, Simone); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el óleo de Simone Cantarini (P00063), conservado en el Museo Nacional del Prado. De esta estampa existen pocos ejemplares. Salió al me [+]

The Holy Family
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Palmaroli, Cayetano -Lithographer- (After Cantarini, Simone); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Holy Family
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Palmaroli, Cayetano -Lithographer- (After Cantarini, Simone); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Cayetano Palmaroli (1801-1853) que reproduce el óleo de Simone Cantarini (P00063), conservado en el Museo Nacional del Prado. De esta estampa existen pocos ejemplares. Salió al me [+]

Vulcan’s Forge
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Vulcan’s Forge
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Philip IV on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip IV on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Cardinal Infante Don Ferdinand of Austria, in Hunting Dress
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal Infante Don Ferdinand of Austria, in Hunting Dress
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Tempest
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (The Original Work, According To Inscriptions, Attributed To Poussin, Nicolas); Dughet, Gaspard (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Tempest
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (The Original Work, According To Inscriptions, Attributed To Poussin, Nicolas); Dughet, Gaspard (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Annunciation
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Decraene, Florentino -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Annunciation
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Decraene, Florentino -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Landscape with hunters
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Giaquinto, Corrado); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Landscape with hunters
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Giaquinto, Corrado); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Landscape with hunters
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Giaquinto, Corrado); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Landscape with hunters
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Giaquinto, Corrado); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Venus and Adonis
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Decraene, Florentino -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Venus and Adonis
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Decraene, Florentino -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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