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The Adoration of the Shepherds
Oil on panel. First third of the XVI century
Romano, Giulio (Giovanni Francesco Penni); Penni, Giovanni Francesco
The Adoration of the Shepherds
Oil on panel. First third of the XVI century
Romano, Giulio (Giovanni Francesco Penni); Penni, Giovanni Francesco

[+]

The Visitation
Oil on panel transferred to canvas. Ca. 1517
Romano, Giulio (Giovanni Francesco Penni); Penni, Giovanni Francesco
The Visitation
Oil on panel transferred to canvas. Ca. 1517
Romano, Giulio (Giovanni Francesco Penni); Penni, Giovanni Francesco

The Virgin Mary visits her cousin, Elisabeth, who is pregnant with Saint John, as told in the New Testament (Luke 1, 39-45). That is the moment when the Virgin sings the Magnificat. The two figures ca [+]

The Holy Family under an Oak Tree
Oil on panel. 1518 - 1520
Romano, Giulio (Giovanni Francesco Penni); Raphael (Raffaello Sanzio)
The Holy Family under an Oak Tree
Oil on panel. 1518 - 1520
Romano, Giulio (Giovanni Francesco Penni); Raphael (Raffaello Sanzio)

Leaning on a classical ruin, Saint Joseph looks at the Virgin Mary with the Christ Child in her lap. Jesus, in turn, is receiving a roll with the words Ecce Agnus Dei from Saint John. This Latin inscr [+]

An Open Right Hand, Fragment from the Tapestry Cartoon The Continence of Scipio
Oil, Wash on paper. First half of the XVI century
Romano, Giulio (Giovanni Francesco Penni) (Attributed To)
An Open Right Hand, Fragment from the Tapestry Cartoon The Continence of Scipio
Oil, Wash on paper. First half of the XVI century
Romano, Giulio (Giovanni Francesco Penni) (Attributed To)

The hand and forearm correspond, in reverse, to that of the Roman general Scipio Africanus in a composition of the Continence of Scipio, the appearance of which is recorded in an old copy in the Louvr [+]

Standing Nude Youth
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on yellow paper. First half of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Standing Nude Youth
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on yellow paper. First half of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

An old (not unintelligent) attibution to Lelio Orsi is written on the reverse. In a note on the modern museum mount dated 1980, Sylvie Béguin has written "after Giulio Romano". In my opinion, t [+]

Sibyl
Pencil, Prepared with a stylus, Blurred / softened / rubbed on paper. 1525 - 1530
Romano, Giulio (Giovanni Francesco Penni)
Sibyl
Pencil, Prepared with a stylus, Blurred / softened / rubbed on paper. 1525 - 1530
Romano, Giulio (Giovanni Francesco Penni)

This is the most Raphaelesque of all the sixteenth-century Italian drawings in the Prado, the confident style of drawing in black chalk echoing that of Raphael´s own late drawings in the medium, above [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

Standing warrior, resting his foot on the head of a dragon
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Standing warrior, resting his foot on the head of a dragon
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1806, Warrior with a shield, are companions and have remained together from at least as long ago as the late eighteenth century, when they were kept together in the same collecti [+]

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