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This portrait depicts Prince Carlos (1545-1568), heir to the Spanish throne and son of Felipe II (1556-1598), by his first wife and cousin, Manuela de Portugal (1528-1545). This work idealizes the Pri [+]
While not absolutely certain, this is generally considered a self-portrait by Sánchez Coello, a pupil of Anthonis Mor and first court portraitist to Philip II. The artist deploys a detailed tec [+]
This portrait was cut from a slightly larger composition. The beautiful adolescent girl sports a travelling outfit, as indicated by the fur lining and partially visible muff. It has been suggested she [+]
In this half-length portrait, the lady is wearing a dark brown velvet overdress luxuriously ornamented with gold chain-stitched embroidery, slit sleeves, and a high collar open in front in the Flemish [+]
Philip II’s two daughters Isabel Clara Eugenia (1566-1633) and Catalina Micaela (1567-1597), were repeatedly portrayed from the time they were very small by Alonso Sánchez Coello, one of the ki [+]
This three-quarters portrait is especially direct, thanks to the absence of any background elements other than the model´s powerful shadow. It presents don Sebastian (1554-1580) in the final years of [+]
This is a rare and particularly fine example of one of Coello’s religious compositions, painted on cork for the Monastery of El Escorial. Accompanied by his mother Mary, the Christ Child appears to Sa [+]
The Infanta, Felipe II´s daughter, is portrayed at the age of thirteen. She stands with a distant and elegant gesture, in three-quarters, which was in keeping with a type of portraiture widely used am [+]
Portrayed in more than half-length, Catalina Micaela (1567-1597) wears an entirely black dress with lace collar and cuffs, inner sleeves of golden white and white ribbons. A double string of pearls, a [+]
Alonso Sánchez Coello was court painter to Philip II and he united two different pictorial styles developed in the mid sixteenth century by Titian and Anthonis Mor respectively. Sánchez [+]
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