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Charles III, King of Spain
Taille douce: etching and engraving on ivory laid paper. 1788
Ximeno y Planes, Rafael; Selma, Fernando
Charles III, King of Spain
Taille douce: etching and engraving on ivory laid paper. 1788
Ximeno y Planes, Rafael; Selma, Fernando

This portrait is closely based on Charles III in hunting Dress by Francisco de Goya. The monarch, wearing a dress coat, has the same pose as in the painting, leaning forward slightly and with sloping shoulders. The modelling of the face is also the same. The print was published in 1788 in the revised edition of the Bibliotheca hispana vetus (1672) by Nicolás Antonio.

The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Selma, Fernando; Esteve, Agustín
The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Selma, Fernando; Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on laid paper. 1791 - 1800
Selma, Fernando; Esteve, Agustín
The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on laid paper. 1791 - 1800
Selma, Fernando; Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Selma, Fernando; Esteve, Agustín
The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Selma, Fernando; Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on laid paper. 1791 - 1800
Selma, Fernando; Esteve, Agustín
The Apparition of the Virgin to Saint Ildefonso
Taille douce: etching and engraving on laid paper. 1791 - 1800
Selma, Fernando; Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

Endymion Porter and Anthony van Dyck
Taille douce: etching and engraving on wove paper. 1797
Selma, Fernando; Bueno, León
Endymion Porter and Anthony van Dyck
Taille douce: etching and engraving on wove paper. 1797
Selma, Fernando; Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints

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