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The Venetian Charlatan
Oil on canvas. Ca. 1765
Tiepolo, Giovanni Domenico
The Venetian Charlatan
Oil on canvas. Ca. 1765
Tiepolo, Giovanni Domenico

These two paintings (P7804 and P7805) are part of a series on similar subjects, yet they stand out among Giandomenico`s work. These works are small depictions of everyday life in Venice, exquisitely rendered with a very agile touch that reflects the technical skills Giandomenico learnt from his father. This genre work is infrequent in Giandomenico`s oeuvre. In Spain the only known works of this so

Maskers at the Mondo Nuovo
Oil on canvas. Ca. 1765
Tiepolo, Giovanni Domenico
Maskers at the Mondo Nuovo
Oil on canvas. Ca. 1765
Tiepolo, Giovanni Domenico

These two paintings (P7804 and P7805) are part of a series on similar subjects, yet they stand out among Giandomenico`s work. These works are small depictions of everyday life in Venice, exquisitely rendered with a very agile touch that reflects the technical skills Giandomenico learnt from his father. This genre work is infrequent in Giandomenico`s oeuvre. In Spain the only known works of this so

The Agony in the Garden
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Agony in the Garden
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

The Agony in the Garden, painted by Giovanni Domenico (Giandomenico) Tiepolo as part of a commission from the fathers of the convent of San Felipe Neri de Madrid, is one scene in a series of eight depicting the Stations of the Cross. The series would have decorated the church´s aisles, the usual location for representations of scenes from Christ´s Passion, with a painting or sculpture of the Cruci

Christ at the Column
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
Christ at the Column
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P355 to P362. They came from the Convent of San Felipe Neri, Madrid, from which they were transferred to the Museo de la Trinidad. We have little knowledge of the conditions set forth in the contract (if one ever existed) by the secular clerics of San Felipe Neri. Therefore, we have no

The Crowning with Thorns
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Crowning with Thorns
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Giandomenico Tiepolo was the elder of Giambattista’s two artist sons, and his closest collaborator. While training with his father prepared him to assist with his mural decorations, Giandomenico also established himself as an independent painter, with his own commissions. In 1762 he accompanied his father to Spain, where the latter had been commissioned to paint a fresco on the dome of the Throne

Christ falls on the Way to Calvary
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
Christ falls on the Way to Calvary
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Dressed in white with the Crown of Thorns, Jesus has fallen under the weight of the Cross, on the path to Calvary. Behind him are Simon of Cyrene, who helps him with the Cross, and the Holy Women, one of whom carries the sign with the inscription INRI with will later be placed on the Cross; as well as a group of people who accompany Jesus to mount Golgotha, where he is to be crucified. Golgotha is

The Stripping of Christ
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Stripping of Christ
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P00355 to P00362. They came from the Convent of San Felipe Neri in Madrid, from where they were transferred to the Museo de la Trinidad. We have little knowledge of the conditions laid down in the contract (if one ever existed) by the secular clerics of San Felipe Neri in Madrid. There

The Crucifixion
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Crucifixion
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P00355 to P00362. They came from the Convent of San Felipe Neri in Madrid, from where they were transferred to the Museo de la Trinidad. We have little knowledge of the conditions laid down in the contract (if one ever existed) by the secular clerics of San Felipe Neri in Madrid. There

The Descent from the Cross
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Descent from the Cross
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P00355 to P00362. They came from the Convent of San Felipe Neri in Madrid, from where they were transferred to the Museo de la Trinidad. We have little knowledge of the conditions laid down in the contract (if one ever existed) by the secular clerics of San Felipe Neri in Madrid. There

Burial of Christ
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
Burial of Christ
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Painted in Venice, the painting is part of the series of eight scenes from the Passion of Christ comprising works P00355 to P00362. They came from the Convent of San Felipe Neri in Madrid, from where they were transferred to the Museo de la Trinidad. We have little knowledge of the conditions laid down in the contract (if one ever existed) by the secular clerics of San Felipe Neri in Madrid. There

The Baptism of Christ
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Tiepolo, Giovanni Domenico (Circle Of)
The Baptism of Christ
Pencil, Grey-brown wash on dark yellow paper. XVIII century
Tiepolo, Giovanni Domenico (Circle Of)

Dibujo de escasa calidad, posible copia de un apunte de Giandomenico Tiepolo, cuya técnica y modelos intenta reproducir de forma burda. La composición es semejante a la de un original de Giandomenico conservado en el Metropolitan Museum de Nueva York (Texto extractado de Mena Marqués, M.: Catálogo de dibujos. VII. Dibujos italianos del siglo XVIII y del siglo XIX, Museo del Prado, 1990, p. 151).

Centaur with cherubs
Pencil, Grey wash, Pencil strokes on white paper. 1759 - 1791
Tiepolo, Giovanni Domenico
Centaur with cherubs
Pencil, Grey wash, Pencil strokes on white paper. 1759 - 1791
Tiepolo, Giovanni Domenico

This drawing is one of a series by Giandomenico Tiepolo dedicated to centaurs, fauns and other mythological creatures. The series is one of the most original creations by Giandomenico, son of Giambattista and brother of Lorenzo, both of whom also have works in Italian Masterpieces from Spain’s Royal Court, Museo del Prado. Numerous drawings from this series have survived in museums and collections

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