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El dibujo lleva una atribución genérica a Tiepolo, pero su comparación con otros hace pensar que sea de mano de Lorenzo, realizado con una técnica más cuidadosa y fina. Debió de servirle de preparació [+]
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Facing the viewer in this half-length portrait, the Infante holds a shotgun and wears the insignias of the Golden Fleece and of the orders of Saint Gennaro and the Saint-Esprit on his chest.While this [+]
Turned halfway to the left, the sitter looks out at the viewer in this half-length portrait. He holds his hat in his left hand and, in his gloved right hand, the other glove. The insignias of the Gold [+]
Seated on an ermine robe in a chair, the Infante holds his hat in his left hand and a small bird in his right. The insignias of the Golden Fleece and the Order of Saint Jennaro hang on his chest. The [+]
Smiling with a direct, vivacious expression, the Infanta faces the viewer in this half-length portrait. She wears ermine robes cheerfully adorned with silk at the neck and a fur cap. A parrot perches [+]
The Infanta faces the viewer with a melancholy expression in this half-length work. Her dress recalls 17th-century clothing, with a lace collar and cut sleeves under brocade and ermine robes. Her jewe [+]
In this half-length portrait, the prince appears indoors, turned slightly to the right but looking directly out at the viewer. A three-cornered hat is visible under his left arm and his right hand res [+]
Con Carlos III los gustos italianizantes del carnaval se afianzaron en la corte madrileña. Se puso de moda asistir a los bailes de máscaras disfrazado de majo y de tipos regionales. Tiepolo muestra a [+]
In Madrid Lorenzo Tiepolo made various pastels of the kind known as popular types. These took the form of a frieze of half-length figures in the foreground that look out at the viewer and whose gestur [+]
A bare-headed figure with a large mustache faces the viewer in this half-length depiction paired with D07425, for which the artist received payment on April 25, 1774. Both drawings are mentioned in th [+]
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