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Saul (Saint Paul) has fallen to the ground beside his horse. He is surrounded by his companions, who flee in fear at the apparition of Christ, represented by the brilliant light in the background. The [+]
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In Brun´s (?) and Fernández Durán collections as Parmigianino. In a note on the modern museum matte, Mario di Giampaolo pointed out the correct attribution to Plama Giovane. [+]
Doubtless kept in the collection of Brun (?) and Fernández Durán as Titian. In spite of the tradition giving this fine drawing to Titian, this is in fact characteristic of Palma Giovane. [+]
Palma Giovane was one of the leading artists active in Venice at the turn of the century, his career continuing well into the second quarter of the century following. He was, moreover, among the most [+]
In this elegant drawing Christ appears seated at the center of the table at the marriage feast in the village of Cana in Galilee, when to the distress of their hosts the wine ran out halfway through t [+]
Traditionally attributed to Palma il Giovane. This is a particularly elegant example of his drawing style, probably datable c. 1600. [+]
In the absence of any distinguishing iconographical features, it has not been possible to identify the four saints, except for the two on the left holding palms, who are martyr saints. What appears to [+]
As Gabriele Finaldi has suggested, the subject may be the curing of St. Peter´s mother-in-law, a miracle that took place in the presence of the Apostles. Another drawing by Palma dated 1623, Jehu putt [+]
