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A poor student is handing over some coins to a fruit-seller as he makes a knot in the handkerchief, clinched in his teeth, to put away the change. On the right side, in the immediate foreground, a you [+]
The octagonal format of this painting makes it unique among still lifes in seventeenth-century Spain (and, indeed, the rest of Europe), in which rectangular supports predominated. This peculiarity has [+]
Like its companion (P7906), this piece was acquired by the Museo del Prado with an attribution to Fernández el Labrador (doc. 1629-1657), a painter specialized in depictions of grapes. However, [+]
Juan Fernández received the nickname “El Labrador” (“The Farmworker”) because he lived in the country, where he specialized in paintings of fruit. Their quality made them popular in the English [+]
This work and its companion (P6413) belonged to Jean de Croy, Count of Solre and captain of the Flemish Royal Guard of Archers, of which Van der Hamen was a member. Unframed, the two paintings hung in [+]
Juan van der Hamen y León attained notable fame as a painter of still lifes in the court in Madrid. His early death in 1631 explains the concentration of his works from the 1620s, a brief perio [+]
Before a dark background, four bunches of grapes are displayed to the viewer in this painting. The bunch occupying the central position, larger than the rest, is coloured blue-violet, while the other [+]
Like its pair (P7905), this canvas was acquired as a work by Juan Fernández el Labrador (documented 1629-57), who specialised in painting grapes. However, the similarities between the pair in t [+]
This small and simple floral composition was attributed to Francisco de Zurbarán before it was reassigned to El Labrador. The artist has depicted the flowers (pinks, lilies and a rose) as stron [+]
This is Loarte’s most ambitious work among his still lifes. A depiction of a market stall in the Plaza de Zocodover in Toledo, it marks the end of a career cut short by the artist’s early death. Brush [+]
This work and its companion (P4158) belonged to Jean de Croy, Count of Solre and captain of the Flemish Royal Guard of Archers, of which Van der Hamen was a member. Unframed, the two paintings hung in [+]
A lady seated in a garden is handed a basket of roses by a boy. The profusion of flowers around her and the crown on her head, as well as her location in a courtly garden with a statue in the backgrou [+]
This complex and convincing composition painted from a frontal perspective appears to be divided into two well-connected halves. In the lower half, which is nearer the viewer, the artist has placed a [+]
A narrow board bears a small selection of objects and victuals worthy of a snack. Their volumes and qualities are defined by the light, making the various elements stand out on a very dark background. [+]
