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This painting is both beautiful in appearance and enigmatic on account of its problems of attribution, its authorship having fluctuated between several artists, all belonging to the aesthetic environm [+]
On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]
This painting, together with Still life with Fish, Candle, Artichokes, Crabs and Shrimp, also in the Prado (P1621), is very likely identical to a picture first documented when it was in the Spanish ro [+]
The blind man appears in profile playing his hurdy-gurdy, a stringed instrument with which he earns his living. Despite his miserable state, La Tour depicts him with considerable dignity, dressed in a [+]
On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]
This magnificent painting once belonged to Diego Mexía Felípez de Guzmán, Marquis of Leganés, in whose collection it was inventoried in 1655. This collection of nearly 1300 [+]
The subject of the angelic consolation of Saint Francis became popular in the second half of the sixteenth century as a result of the Catholic Church´s renewed appreciation of his mystical experiences [+]
A dark background and a gray table are the setting for this painting’s only motive: a merino lamb between eight and twelve months old. Still alive, it lies with bound feet in an unmistakably sacrifici [+]
This still life shows the inside of a cupboard. On the shelf are a group of birds consisting of two serins, two goldfinches and two sparrows on a cane, as well as three carrots, two radishes, and a la [+]
It has often been stated that this painting is part of a series of four, all now in the Prado, but that is probably not the case. The dimensions of all four paintings (P1619, P1620, P1621, P1622) are [+]
Various vessels of different materials, shapes and uses rest on a wooden surface that could be a table or a shelf. From left to right they are: a pewter plate holding a complex and refined goblet, pro [+]
The Bible story (Samuel 1:17) depicted here corresponds to the moment when, as a young shepherd, David kills Goliath, the giant, with his sling and cuts off his head to triumphantly exhibit it. The ep [+]
This is one of Ribalta’s most beautiful compositions within his late output. The figure of Christ is adapted from the model devised by Sebastiano del Piombo in his Lamentation over the Dead Christ (Sa [+]
