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Nothing is known of this middle-aged gentleman with his black doublet and cloak, against which the wide, segmented ruff or gola and the delicate white cuff at his right wrist stand out. At his waist a [+]
A portrait of an unidentified gentleman dressed in black with a white ruff. His expressive gaze and the loose and confident brushstrokes denote the high quality of this work, which is very similar to [+]
The figure represented in this painting is identified as a doctor on account of the ring on the thumb of his left hand. This could be Luis Mercado, physician to Philip II, or Rodrigo de la Fuente, a p [+]
Both the large ruff the sitter is wearing and the technique used date this portrait to the beginning of the seventeenth century. The loose brushwork (in the form of subtle highlights, dabbing and smal [+]
This image resembles some of the portraits painted by El Greco, who was Tristán’s master in Toledo for a time: the concentrated gaze with which the sitter faces the viewer, and his intense ener [+]
This painting is a copy of the lower part of El Greco’s celebrated original on display in the church of Santo Tomé, Toledo. A work of considerable quality, it reveals an interesting variety of [+]
A long bust of a young manwith a gaunt face bearing a moustache and goatee, large dark, almond-shaped eyes and a long, thin nose. His short, dark hair brings out his pale complexion. He is dressed in [+]
This bust-length portrait entered the royal collections as a donation by the widow of the Duke of Arco, gentlemanin- waiting, Equerry and Master of the Horse to Philip V. In his recreational estate at [+]
A portrait of an anonymous nobleman, possibly from Toledo, with a narrow white ruff. The background is neutral. This work is considered one of the artist´s finest portraits. With the combination of th [+]
A portrait of Jerónimo de Cevallos, dressed in black with a white ruff, on a dark background. Born in Escalona in 1562, he died in 1641. Cevallos was a friend and protector of the painter, as w [+]
