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The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe
The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe

The capitulation of the Rhenish city of Jülich was one of the most outstanding events at the beginning of the Thirty Years War (1618-1648). Occupied by Maurice of Nassau’s French troops since 161 [+]

Hercules and the Erymanthian Boar
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules and the Erymanthian Boar
Oil on canvas. 1634
Zurbarán, Francisco de

Hercules’s encounter with the Erimanthean bore is not the best known of his labors. At first glance, it would appear to be nothing more than a new demonstration of his capacity to vanquish evil and sa [+]

The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista
The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista

The Recapture of Bahía de Todos los Santos was commissioned from Maíno towards the end of 1634. The artist was still working on it on 24 March 1635, date on which he received the first 1 [+]

Philip III on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip III on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

This was one of the paintings decorating the Hall of Realms at Madrid´s Buen Retiro Palace, where various discourses (territorial, mythological, military, and so on) combined to make up the decoration [+]

Queen Elisabeth of France on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Queen Elisabeth of France on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

This painting was intended to hang to the right of the Equestrian Portrait of Philip IV (P01178) and it depicts that monarch´s first wife, Elizabeth of Bourbon (1602-1644), whom he married in 1615. Th [+]

Hercules and the Hydra
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules and the Hydra
Oil on canvas. 1634
Zurbarán, Francisco de

The inhabitants of Lerna were terrorized by a multiheaded serpent that left a path of destruction behind. The creature was impossible to defeat because every time it lost one head, two grew in its pla [+]

Hercules diverting the Course of the River Alpheus
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules diverting the Course of the River Alpheus
Oil on canvas. 1634
Zurbarán, Francisco de

Hercules looks at the viewer from the left side of the composition, cheerful after having rerouted the Alpheus river in response to a challenge by Augeas, King of Elis. The description of this episode [+]

The Relief of Genoa by the 2nd Marquis of Santa Cruz
Oil on canvas. 1634 - 1635
Pereda y Salgado, Antonio de
The Relief of Genoa by the 2nd Marquis of Santa Cruz
Oil on canvas. 1634 - 1635
Pereda y Salgado, Antonio de

Here, the doge of the Republic of Genoa emerges through the gates of the city in order to receive Don Álvaro de Bazán, the Marquis of Santa Cruz, who has arrived as the commander of a fl [+]

Queen Margaret of Austria on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Queen Margaret of Austria on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Regardless of the concrete origin of the equestrian portraits for the Hall of Realms, the location for which each was painted, or their sequence, they clearly present a series of formal and iconograph [+]

Hercules fighting the Nemean Lion
Oil on canvas. 1634
Zurbarán, Francisco de
Hercules fighting the Nemean Lion
Oil on canvas. 1634
Zurbarán, Francisco de

A lion was ravishing the region of Nemea and frightening its inhabitants to such a degree that they could no longer work the land. The Marquis of Villena’s Twelve Labors of Hercules, along with Juan P [+]

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