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The Foundation of Santa Maria Maggiore in Rome. The Patrician recounts his Dream to the Pope
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban
The Foundation of Santa Maria Maggiore in Rome. The Patrician recounts his Dream to the Pope
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban

This painting and its companion, The Patrician’s Dream (P994), are among Murillo’s most renowned works. The two arched works were intended to hang beneath a small dome in the recently remodeled Sevill [+]

The Martyrdom of Saint Andrew
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban
The Martyrdom of Saint Andrew
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban

At the centre of this painting, the apostle Saint Andrew is being tied to the X-shaped cross on which he will die. His muscles are taut and he raises his eyes heavenward, where several angels carry th [+]

The Foundation of Santa Maria Maggiore in Rome. The Patrician's Dream
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban
The Foundation of Santa Maria Maggiore in Rome. The Patrician's Dream
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban

This painting and its companion, The Patrician Reveals his Dream to the Pope (P995), are among Murillo’s most renowned works. The two arched works were intended to hang beneath a small dome in the rec [+]

The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban
The Conversion of Saint Paul
Oil on canvas. 1675 - 1682
Murillo, Bartolomé Esteban

Saint Paul fell from his horse as he heard Christ’s words “Why persecutest thou me?” which brought about his conversion. Murillo’s interpretation is notably dynamic, making use of the contrast between [+]

The Immaculate Conception of Los Venerables
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Immaculate Conception of Los Venerables
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

Murillo created a highly successful formula for representing the Immaculate Conception, with the Virgin dressed in blue and white, her hands crossed over her bosom and her gaze directed at the heavens [+]

The Apparition of the Virgin to Saint Bernard
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban
The Apparition of the Virgin to Saint Bernard
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban

The Virgin appears miraculously to Saint Bernard to offer him her milk as a reward for his praises and defense. The Saint is surprised while studying and falls to his knees. His desk and bookshelves a [+]

The Apparition of the Virgin to Saint Ildephonsus
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban
The Apparition of the Virgin to Saint Ildephonsus
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban

This miraculous scene from the life of Saint Ildefonso portrays the moment when the Virgin descended from Heaven to give him a chasuble as a prize for his praises. The choice of this subject correspon [+]

The Virgin of the Rosary
Oil on canvas. 1650 - 1655
Murillo, Bartolomé Esteban
The Virgin of the Rosary
Oil on canvas. 1650 - 1655
Murillo, Bartolomé Esteban

In 1836, the English critic John Ruskin lavished praise on Bartolomé Esteban Murillo’s technique and identified the uniqueness of his approach: It is true that his Virgins are never such goddes [+]

Saint Anne teaching the Virgin to read
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban
Saint Anne teaching the Virgin to read
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban

Painters from Seville were very fond of this apocryphal episode from the Virgin’s childhood. Here, Murillo used it to bring various levels of reality into a single pictorial space: first, historical r [+]

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