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The Prodigal Son squandering his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son squandering his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

Esta obra, junto con El hijo pródigo recoge su legítima (P997), La despedida del hijo pródigo (P998) y El hijo pródigo abandonado (P1000), son los cuatro únicos bocetos conocidos de una serie integrad [+]

The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

In a landscape with classical ruins that allude to the defeat of paganism, the Christ Child tends a lamb. Murillo based this image on a print by Stefano della Bella (1610-1664), while making use of hi [+]

The Prodigal Son taking leave of his Home
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son taking leave of his Home
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

Esta obra, junto con El hijo pródigo recoge su legítima (P997), La disipación del hijo pródigo (P999) y El hijo pródigo abandonado (P1000), son los cuatro únicos bocetos conocidos de una serie integra [+]

The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son receiving his Inheritance
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

These are the four surviving preparatory sketches for a series of six canvases now in the National Gallery in Dublin, based on the parable of the Prodigal son (Lc 15). They are partly based on prints [+]

The Adoration of the Shepherds
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Adoration of the Shepherds
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

The shepherds gather around the Christ Child to adore him and offer him their gifts: a lamb, some hens and a basket of eggs, in a scene that is conceived as a humble counterpart to the Adoration of th [+]

The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

A domestic scene filled with tenderness showing the Virgin Mary winding a skein of thread and watching the Christ Child, who leans on Saint Joseph while he plays with a little bird and a dog. The almo [+]

The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

A New Testament scene (Luke 1, 26-38) that depicts the Archangel Gabriel´s Annunciation to the Virgin Mary and her acceptance of the fact that she will become the Mother of God through the intercessio [+]

Rebecca and Eliezer
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
Rebecca and Eliezer
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

In his search for a wife for his master, Isaac, Eliezer encountered Rebecca, who offered him water from her pitcher by the well. The biblical account offered Murillo the perfect pretext for depicting [+]

The Infant Saint John the Baptist
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban
The Infant Saint John the Baptist
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban

Alone in the countryside, a boy raises his hand to his breast while looking up to the heavens, his face illuminated by a beam of light. The lamb and the cross with the inscription “Ecce Agnus Dei” (Be [+]

The Aranjuez Immaculate Conception
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban
The Aranjuez Immaculate Conception
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban

The Museo del Prado has five Immaculate Conceptions by Murillo, who depicted this subject in response to its remarkable popularity in Spain. This devotion became a sign of national identity. This vers [+]

The Prodigal Son among the Pigs
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban
The Prodigal Son among the Pigs
Oil on canvas. 1660 - 1665
Murillo, Bartolomé Esteban

Esta obra, junto con El hijo pródigo recoge su legítima (P997), La despedida del hijo pródigo (P998) y La disipación del hijo pródigo (P999), son los cuatro únicos bocetos conocidos de una serie integ [+]

The Infant Christ and Saint John the Baptist with a Shell
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban
The Infant Christ and Saint John the Baptist with a Shell
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban

The combination of tangible reality with a visionary and spiritual atmosphere was one of the features that explain the fascination exerted by Murillo’s works, many of them extremely popular, which is [+]

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