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The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Good Shepherd
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

In a landscape with classical ruins that allude to the defeat of paganism, the Christ Child tends a lamb. Murillo based this image on a print by Stefano della Bella (1610-1664), while making use of hi [+]

The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban
The Immaculate Conception
Oil on canvas. Ca. 1665
Murillo, Bartolomé Esteban

The colours of the Virgin’s tunic and cloak, her loose hair, hands crossed on her breast, her devoted gaze raised to heaven and the presence of the moon are elements of the imagery of the Immaculate C [+]

The Adoration of the Shepherds
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Adoration of the Shepherds
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

The shepherds gather around the Christ Child to adore him and offer him their gifts: a lamb, some hens and a basket of eggs, in a scene that is conceived as a humble counterpart to the Adoration of th [+]

Ecce Homo
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban
Ecce Homo
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban

Ecce Homo and The Virgin Dolorosa (P977) are comparable with regard to size, provenance and their partial dependence on models by Titian. Above all, they are linked by their subject matter and are mos [+]

The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Holy Family with a Little Bird
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

A domestic scene filled with tenderness showing the Virgin Mary winding a skein of thread and watching the Christ Child, who leans on Saint Joseph while he plays with a little bird and a dog. The almo [+]

The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

A New Testament scene (Luke 1, 26-38) that depicts the Archangel Gabriel´s Annunciation to the Virgin Mary and her acceptance of the fact that she will become the Mother of God through the intercessio [+]

The Infant Saint John the Baptist
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban
The Infant Saint John the Baptist
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban

Alone in the countryside, a boy raises his hand to his breast while looking up to the heavens, his face illuminated by a beam of light. The lamb and the cross with the inscription “Ecce Agnus Dei” (Be [+]

The Aranjuez Immaculate Conception
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban
The Aranjuez Immaculate Conception
Oil on canvas. Ca. 1675
Murillo, Bartolomé Esteban

The Museo del Prado has five Immaculate Conceptions by Murillo, who depicted this subject in response to its remarkable popularity in Spain. This devotion became a sign of national identity. This vers [+]

The Infant Christ and Saint John the Baptist with a Shell
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban
The Infant Christ and Saint John the Baptist with a Shell
Oil on canvas. Ca. 1670
Murillo, Bartolomé Esteban

The combination of tangible reality with a visionary and spiritual atmosphere was one of the features that explain the fascination exerted by Murillo’s works, many of them extremely popular, which is [+]

Mater Dolorosa
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban
Mater Dolorosa
Oil on canvas. 1660 - 1670
Murillo, Bartolomé Esteban

La Virgen, pintada de busto y levemente girada hacia la izquierda, surge desde el fondo neutro gracias a la iluminación dirigida al rostro, que entra por el lateral, hacia el que se inclina la figura. [+]

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