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Apples, Figs and Plums
Oil on canvas. Second third of the XVII century
Espinosa, Juan de
Apples, Figs and Plums
Oil on canvas. Second third of the XVII century
Espinosa, Juan de

This work and its pendant (P7926) share innumerable characteristics, notwithstanding their clear differences. They reflect a painting style popular at the Spanish court during the first half of the 17 [+]

Plate with Plums and Morello Cherries
Oil on canvas. Ca. 1631
Hamen y León, Juan Van Der
Plate with Plums and Morello Cherries
Oil on canvas. Ca. 1631
Hamen y León, Juan Van Der

Juan van der Hamen y León´s output alternates between compositionally complex still lifes and works that are smaller in size and constructed more simply, such as this canvas. It depicts a pewte [+]

Basket with Peaches and Plums
Oil on canvas. 1654
Camprobín, Pedro de
Basket with Peaches and Plums
Oil on canvas. 1654
Camprobín, Pedro de

The works of Pedro Camprobín were the most important alternative in mid-seventeenth-century Seville to the still lifes of Francisco and Juan de Zurbarán, and this allowed him to dominate [+]

Basket of Flowers
Oil on canvas. 1668 - 1670
Arellano, Juan de
Basket of Flowers
Oil on canvas. 1668 - 1670
Arellano, Juan de

Resting on a stone base, an openwork wicker basket full of flowers is the subject of this painting. The flowers represent an enormous variety of species, enabling a notably rich range of colours and f [+]

Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de
Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de

Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produ [+]

Landscape with a Vine
Oil on canvas. Ca. 1645
Hiepes, Tomás
Landscape with a Vine
Oil on canvas. Ca. 1645
Hiepes, Tomás

One of the distinguishing features of Tomás Hiepes´ oeuvre is his thematic versatility and the variety of formal solutions he used to exploit the possibilities of the still-life genre. This wor [+]

Saint Joseph with the Christ Child
Oil on canvas. Ca. 1650
Martínez, Sebastián
Saint Joseph with the Christ Child
Oil on canvas. Ca. 1650
Martínez, Sebastián

Saint Joseph grasps Jesus’s arm to prevent him from taking fruit from the basket. This action is loaded with meaning, given the sacrificial and Eucharistic significance of both the Child’s violet tuni [+]

Flower Vase
Oil on panel. 1689 - 1691
Pérez, Bartolomé
Flower Vase
Oil on panel. 1689 - 1691
Pérez, Bartolomé

Esta obra y su pareja (P06397) están realizadas sobre tabla, lo que resulta poco habitual en la pintura de flores realizada en España, y el fondo es dorado, algo muy poco corriente. Por otra parte, la [+]

Nicolás Omazur
Oil on canvas. 1672
Murillo, Bartolomé Esteban
Nicolás Omazur
Oil on canvas. 1672
Murillo, Bartolomé Esteban

Born in Antwerp in 1609, Omazur was a friend and admirer of Murillo’s. He established himself as a merchant in Seville where he wrote poetry and collected painting. The austerity of the image links it [+]

Still Life with Dead Bird
Oil on panel. 1651
Espinosa, Juan de
Still Life with Dead Bird
Oil on panel. 1651
Espinosa, Juan de

The great charm of this still life has evidently long been apparent to lovers of painting, since it is first recorded in the collection of Gaspar de Haro, later VII Marqués del Carpio (1651), w [+]

Apples
Oil on canvas. Second third of the XVII century
Espinosa, Juan de
Apples
Oil on canvas. Second third of the XVII century
Espinosa, Juan de

This work and its pendant (P7925) share innumerable characteristics, notwithstanding their clear differences. They reflect a painting style popular at the Spanish court during the first half of the 17 [+]

Basket of Flowers
Oil on canvas. Ca. 1670
Arellano, Juan de
Basket of Flowers
Oil on canvas. Ca. 1670
Arellano, Juan de

Throughout his career, Juan de Arellano executed flower pieces of a horizontal format that represent bouquets in open weave wicker baskets. During the last decade of his career, he painted a number of [+]

Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de
Garland of Flowers with a Landscape
Oil on canvas. 1652
Arellano, Juan de

Flower painting experienced its greatest development in the Netherlands -there were both Flemish and Dutch schools- and in the different regions of Italy. Both Northern and Mediterranean artists produ [+]

Vase of Flowers with a Triumphal Chariot seen frontally
Oil on canvas. 1643
Hiepes, Tomás
Vase of Flowers with a Triumphal Chariot seen frontally
Oil on canvas. 1643
Hiepes, Tomás

Flower painting quickly became a sub-genre of still life painting in which several Spanish artists became specialists. Hiepes was an assiduous proponent throughout his career and he specialized in flo [+]

Saint Jerome
Oil on canvas. 1643
Pereda y Salgado, Antonio de
Saint Jerome
Oil on canvas. 1643
Pereda y Salgado, Antonio de

Saint Jerome is depicted meditating on the Last Judgment, as indicated by the print in the book, which reproduces a model by Albrecht Dürer. He is surrounded by various vanitas, such as the skull [+]

Landscape with Shepherds
Oil on copperplate. 1600 - 1650
Collantes, Francisco
Landscape with Shepherds
Oil on copperplate. 1600 - 1650
Collantes, Francisco

Dos campesinos, después de desuncir sendos carros de sus respectivas yuntas de bueyes, descansan a la orilla de un arroyo. Les rodea un paisaje ondulado, de horizonte amplio y gran desarrollo del ciel [+]

Bronze Vase with Roses
Oil on canvas. 1640 - 1660
Camprobín, Pedro de
Bronze Vase with Roses
Oil on canvas. 1640 - 1660
Camprobín, Pedro de

Flower paintings were one of the most popular forms of still lifes in Spain as their attractive and varied appearance allowed for infinite combinations of different forms of plant life that could in t [+]

Sculpted Grotesques with Roses and Tulips
Oil on canvas. 1690 - 1694
Corte, Gabriel de la
Sculpted Grotesques with Roses and Tulips
Oil on canvas. 1690 - 1694
Corte, Gabriel de la

This canvas and its pendant (P7930) must have been part of a series of similar works painted between 1670 and 1680, as indicated by a third piece (Abelló Collection). Together, they bear witnes [+]

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