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The Crowning with Thorns
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Crowning with Thorns
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Giandomenico Tiepolo was the elder of Giambattista’s two artist sons, and his closest collaborator. While training with his father prepared him to assist with his mural decorations, Giandomenico also [+]

Saint Anthony of Padua with the Infant Christ
Oil on canvas. 1767 - 1769
Tiepolo, Giovanni Battista
Saint Anthony of Padua with the Infant Christ
Oil on canvas. 1767 - 1769
Tiepolo, Giovanni Battista

Saint Anthony of Padua (1195-1231) wears a Franciscan habit and meditates before a book over which the Christ Child appears. This is one of the miracles of that saint´s tradition. The spray of lilies [+]

The Virgin and Child
Oil on canvas. 1708 - 1710
Trevisani, Francesco
The Virgin and Child
Oil on canvas. 1708 - 1710
Trevisani, Francesco

Trevisani trained with his father, the architect Antonio Trevisani, and with Antonio Zanchi in Venice before moving to Rome where he studied with Carlo Maratti (1625-1713). This work, painted in his m [+]

The Crucifixion
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Crucifixion
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

The painting is one of a series of eight scenes from Christ’s Passion painted by Giovanni Domenico (Giandomenico) Tiepolo as part of a commission from the fathers of the convent of San Felipe Neri, Ma [+]

The Immaculate Conception
Oil on canvas. 1767 - 1769
Tiepolo, Giovanni Battista
The Immaculate Conception
Oil on canvas. 1767 - 1769
Tiepolo, Giovanni Battista

This majestic image was part of a cycle of seven altarpieces commissioned in 1767 for the new royal church of San Pascual Bailón at Aranjuez, founded by Charles III in the same year. The altarp [+]

Queen Zenobia before the Emperor Aurelian
Oil on canvas. Ca. 1717
Tiepolo, Giovanni Battista
Queen Zenobia before the Emperor Aurelian
Oil on canvas. Ca. 1717
Tiepolo, Giovanni Battista

Episodio de la historia de la reina de Palmira, que formó parte de la decoración de un salón en el Palacio Zenobio de Venecia, con escenas de la vida de la reina, cuyo nombre era el de la familia. Zen [+]

Christ falls on the Way to Calvary
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
Christ falls on the Way to Calvary
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

Dressed in white with the Crown of Thorns, Jesus has fallen under the weight of the Cross, on the path to Calvary. Behind him are Simon of Cyrene, who helps him with the Cross, and the Holy Women, one [+]

View of Venice from the Island of San Giorgio
Oil on canvas. 1697
Vanvitelli, Gaspare
View of Venice from the Island of San Giorgio
Oil on canvas. 1697
Vanvitelli, Gaspare

Born in Holland, van Wittel received his early training in Utrecht. He settled in Italy in 1674, where he became known as Vanvitelli and contributed decisively to the development of the veduta (view p [+]

Abraham and the three Angels
Oil on canvas. Ca. 1770
Tiepolo, Giovanni Battista
Abraham and the three Angels
Oil on canvas. Ca. 1770
Tiepolo, Giovanni Battista

This painting presents an event mentioned in the book of Genesis (18, 1. 19). Giambattista Tiepolo had depicted this subject earlier in a painting from the series he painted for the palace of the Arch [+]

The Burial of Christ
Oil on canvas. 1772
Tiepolo, Giovanni Domenico
The Burial of Christ
Oil on canvas. 1772
Tiepolo, Giovanni Domenico

The painting is one of a series of eight scenes from Christ’s Passion painted by Giovanni Domenico (Giandomenico) Tiepolo as part of a commission from the fathers of the convent of San Felipe Neri de [+]

Moses and the burning Bush
Bronze. 1725
Cateni, Giovanni Camillo
Moses and the burning Bush
Bronze. 1725
Cateni, Giovanni Camillo

This sculpture depicts the biblical passage in which God appears to Moses in the form of a burning bush and tells tells him that he will free the Israelites (Exodus 3: 1-4). It is one of a group of tw [+]

Female Bust in an Urn
Glass, Fabric, Wax, Bone, Pelo. Ca. 1750
Scandellari, Filippo (?)
Female Bust in an Urn
Glass, Fabric, Wax, Bone, Pelo. Ca. 1750
Scandellari, Filippo (?)

Free-standing wax sculpture was a particularly important genre in 18th-century Bologna and artists aimed to produce impressively lifelike, almost hyper-realist effects. In order to do so they used rea [+]

Male Bust in an Urn
Glass, Fabric, Wax, Bone, Pelo. Ca. 1750
Scandellari, Filippo (?)
Male Bust in an Urn
Glass, Fabric, Wax, Bone, Pelo. Ca. 1750
Scandellari, Filippo (?)

Wax sculpture allowed for the creation of extremely precise technical details that produced an intense sensation of reality. Scandellari was one of the most important practitioners of this technique i [+]

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