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The Recognition of Phililpoemen
Oil on canvas. Ca. 1609
Rubens, Peter Paul; Snyders, Frans
The Recognition of Phililpoemen
Oil on canvas. Ca. 1609
Rubens, Peter Paul; Snyders, Frans

According to Plutarch, Philopoemen, a strategist and general of the Aequian League that fought against Sparta, visited the city of Megara. Because of his unassuming, humble appearance, the lady of the [+]

Table with a cloth, salt cellar, gilt tazza, pie, jug, porcelain dish with olives, and roast fowl
Oil on panel. Ca. 1611
Peeters, Clara
Table with a cloth, salt cellar, gilt tazza, pie, jug, porcelain dish with olives, and roast fowl
Oil on panel. Ca. 1611
Peeters, Clara

This painting was first recorded in 1746 in the Spanish royal collection, together with Still life with Flowers, Gilt Goblet, Almonds, Dried Fruits, Sweets, Biscuits, Wine and a Pewter Flagon (P1620). [+]

Still Life with a Sparrow Hawk, Fowl, Porcelain and Shells
Oil on panel. 1611
Peeters, Clara
Still Life with a Sparrow Hawk, Fowl, Porcelain and Shells
Oil on panel. 1611
Peeters, Clara

This painting, together with Still life with Fish, Candle, Artichokes, Crabs and Shrimp, also in the Prado (P1621), is very likely identical to a picture first documented when it was in the Spanish ro [+]

Still Life with Flowers, a Silver-gilt Goblet, Dried Fruit, Sweetmeats, Bread sticks, Wine and a Pewter Pitcher
Oil on panel. 1611
Peeters, Clara
Still Life with Flowers, a Silver-gilt Goblet, Dried Fruit, Sweetmeats, Bread sticks, Wine and a Pewter Pitcher
Oil on panel. 1611
Peeters, Clara

It has often been stated that this painting is part of a series of four, all now in the Prado, but that is probably not the case. The dimensions of all four paintings (P1619, P1620, P1621, P1622) are [+]

Still Life with fish, a candle, artichokes, crab and prawns
Oil on panel. 1611
Peeters, Clara
Still Life with fish, a candle, artichokes, crab and prawns
Oil on panel. 1611
Peeters, Clara

On what appears to be a wooden table or ledge we see boiled crabs and shrimp, several freshwater fish (two carp, a roach, possibly several ide, and a northern pike), a dark glass goblet, a brass candl [+]

Three Nymphs with the Horn of Plety
Oil on canvas. 1615 - 1617
Rubens, Peter Paul; Snyders, Frans
Three Nymphs with the Horn of Plety
Oil on canvas. 1615 - 1617
Rubens, Peter Paul; Snyders, Frans

Goddess of grains and the harvest, Ceres holds some corn cobs in her right hand while, with the left, she holds a horn of plenty. Two nymphs fill the cornucopia with fruits, symbolizing the Earth´s ge [+]

Ceres and Pan
Oil on canvas. Ca. 1620
Rubens, Peter Paul (Workshop Of); Snyders, Frans
Ceres and Pan
Oil on canvas. Ca. 1620
Rubens, Peter Paul (Workshop Of); Snyders, Frans

As goddess of the Earth and agriculture, Ceres is depicted wearing a bundle of wheat spikes on her head. Beside her, Pan, the god of shepherds and herds, has a crown of oak leaves. Ceres symbolizes cu [+]

Achilles discovered by Ulysses and Diomedes
Oil on canvas. 1617 - 1618
Rubens, Peter Paul (And Workshop)
Achilles discovered by Ulysses and Diomedes
Oil on canvas. 1617 - 1618
Rubens, Peter Paul (And Workshop)

According to prophecy, Achilles was to die in the Trojan War. In order to avoid this, his mother hid him in the court of King Lycomedes, disguised as a woman. There, he spent time among the king´s dau [+]

The Judgement of Paris
Oil on canvas. Ca. 1638
Rubens, Peter Paul
The Judgement of Paris
Oil on canvas. Ca. 1638
Rubens, Peter Paul

The mythological story of the Judgment of Paris begins with the wedding of Thetis and Peleus, where Eris, goddess of Discord, challenged the most beautiful goddesses to take a golden apple which she t [+]

Atalanta and Meleager hunting the Calydonian Boar
Oil on canvas. 1635 - 1640
Rubens, Peter Paul
Atalanta and Meleager hunting the Calydonian Boar
Oil on canvas. 1635 - 1640
Rubens, Peter Paul

As Ovid tells in his Metamorphosis (book VIII, 260-444), the goddess Diana sent a giant wild boar to ravage the kingdom of Calydon. The king´s son, Meleager, and his beloved Atalanta organize a hunt w [+]

Saturn devouring a Son
Oil on canvas. 1636 - 1638
Rubens, Peter Paul
Saturn devouring a Son
Oil on canvas. 1636 - 1638
Rubens, Peter Paul

Portrayed as an old man in accordance with the conventional method that was faithful to prevailing iconographic precepts, in his right hand the god Saturn clasps a scythe, his inveterate attribute, us [+]

Perseus and Andromeda
Oil on canvas. 1639 - 1640
Rubens, Peter Paul; Jordaens, Jacques
Perseus and Andromeda
Oil on canvas. 1639 - 1640
Rubens, Peter Paul; Jordaens, Jacques

As punishment for the vanity of Cassiopeia, who thought herself more beautiful than the Neriads, Poseidon, god of the seas, sent a monster to the kingdom of Ethiopia. Its fury could only be detained i [+]

Diana and her Nymphs surprised by Satyrs
Oil on canvas. 1639 - 1640
Rubens, Peter Paul
Diana and her Nymphs surprised by Satyrs
Oil on canvas. 1639 - 1640
Rubens, Peter Paul

Diana the huntress is resting with her court of Nymphs in a clearing in the woods when she is attacked by a group of Satyrs. Rubens turned this painting into a virtuoso exercise in composition. In the [+]

Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de
Saturn
Mixed method on mural transferred to canvas. 1820 - 1823
Goya y Lucientes, Francisco de

The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]

Tiberius
Gilt-bronze, Alabaster. 1610 - 1612
Cordier, Nicolas. Il Franciosino (Manner Of)
Tiberius
Gilt-bronze, Alabaster. 1610 - 1612
Cordier, Nicolas. Il Franciosino (Manner Of)

This full-length statue of the Emperor Tiberius (42BC to 37AD) is striking in its combination of materials, also found in other works by Cordier such as the Saint Agnes made for the Roman church of th [+]

Augustus
Bronze, Alabaster. 1692 - 1710
Monnot, Pierre (Attributed To)
Augustus
Bronze, Alabaster. 1692 - 1710
Monnot, Pierre (Attributed To)

Around 1700, Livio Odescalchi commissioned a statue of Augustus (63 B.C.-4 A.D.) to be paired with another of Tiberio (E00112) acquired with the collection of Christine of Sweden. Its style is more cl [+]

Philip II's Tabletop
African marble, White marble, Agate, Jasper, Lapis lazuli. Before 1587
Roman Sculptor
Philip II's Tabletop
African marble, White marble, Agate, Jasper, Lapis lazuli. Before 1587
Roman Sculptor

This tabletop was sent from Rome by Cardinal Alessandrino, nephew of Pope Pius V, to Philip II of Spain in 1587. Of unusual proportions, it is designed to create the impression that the inlay is made [+]

Lion
Gilt-bronze. 1651
Bonuccelli, Matteo
Lion
Gilt-bronze. 1651
Bonuccelli, Matteo

The table O00542 is supported by four bronze lions O00453, O02938, O02939, and O02940 that Velazquez commissioned from Matteo Bonuccelli during the painter´s second trip to Rome (1649-1651). The [+]

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