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María Tomasa Palafox (1780-1835), Marchioness of Villafranca, is shown wearing a white empire-style dress and sitting on a red silk damask armchair, with her feet on a cushion. She is painting [+]
This portrait belongs to a series of seven miniatures painted on copper. Unique within Goya’s oeuvre, they depict his son Javier and his relatives by marriage on the occasion of Javier’s marriage to G [+]
Dressed in French fashion from the second decade of the nineteenth century and wearing a stylish floral diadem on her head, the duchess holds a piece of music in her hands, alluding to her love of mus [+]
Holding a letter in his hand, Juan Bautista de Muguiro sits beside his desk, on which an inkwell is visible. This representation exalts his stature as a banker taking care of his business. An inscript [+]
Three bare-chested characters wearing dunce caps hold a fourth, nude character in the air while another lies on the floor, covering his ears, A sixth figure flees, his head covered with a white cloth. [+]
José Álvarez de Toledo, Duke of Alba and XI Marquis of Villafranca was the husband of María Teresa de Silva, Duchess of Alba. He is portrayed full length, wearing a yellowish froc [+]
These two miniatures belong to a series of seven on copper, unique in Goya’s oeuvre. They depict the artist’s son Javier and Javier’s in-laws on the occasion of his marriage to Gumersinda, daughter of [+]
This Self-Portrait’s small size indicates that it was intended for private and intimate use, as a gift to someone of interest to Goya. It came from the heirs of Tomás de Berganza, a butler to t [+]
Hijo del infante don Luis Antonio de Borbón y de doña Teresa de Vallabriga y Rozas, dama de la baja nobleza aragonesa, don Luis María de Borbón nació en el palacio familiar de Cadalso de los Vidrios ( [+]
The son of actors, Isidoro Máiquez was born in Cartagena in 1768. Supported by the Duke and Duchess of Osuna, he studied in Paris with the celebrated thespian Francisco José Talma (1763- [+]
Ever since this painting entered the museum, the sitter has traditionally been identified as Josefa Bayeu, Goya´s wife. However, the date of the painting doesn´t coincide with the age of the supposed [+]
This sculpture represents Victorious Peace: the figure wears a laurel wreath and holds an olive branch in her left hand, while in her right she has a blazing torch, with which she destroys the symbols [+]
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