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The Crowning with Thorns
Oil on slate. 1590 - 1598
Bassano, Leandro
The Crowning with Thorns
Oil on slate. 1590 - 1598
Bassano, Leandro

The composition is derived from a Cristo incoronato di Spine done by Jacopo Bassano towards 1589-1590 (Rome, private collection), in which Ballarin clearly sees the influence of Titian´s Christ Crowne [+]

The Hall of the Full College in Venice
Oil on canvas. 1606 - 1618
Malombra, Pietro
The Hall of the Full College in Venice
Oil on canvas. 1606 - 1618
Malombra, Pietro

Malombra, especialista en escenas de interiores, representó la recepción del dux Leonardo Donato al español Alonso de la Cueva, embajador en Venecia entre 1606 y 1618, y la ambientó en la Sala del Col [+]

Lazarus and Dives
Oil on canvas. Ca. 1570
Bassano, Leandro
Lazarus and Dives
Oil on canvas. Ca. 1570
Bassano, Leandro

The parable of Lazarus (Luke 16: 19-31) has been interpreted in many ways: an apology of charitable works; a comparison between salvation and perdition, and between gentiles (Lazarus) and Jews (Epulon [+]

Magistrate with Crucifix
Oil on canvas. Ca. 1600
Bassano, Leandro
Magistrate with Crucifix
Oil on canvas. Ca. 1600
Bassano, Leandro

In 1648 Carlo Ridolfi began his biography of Leandro Bassano by praising his talent as a portraitist (particolarmente eccellente ne`ritratti). This skill was generously acknowledged during his lifetim [+]

The Animals entering Noah’s Ark
Oil on canvas. Ca. 1570
Bassano, Jacopo (Jacopo Dal Ponte)
The Animals entering Noah’s Ark
Oil on canvas. Ca. 1570
Bassano, Jacopo (Jacopo Dal Ponte)

This painting is Jacopo´s first depiction of the passage from Genesis 6:20 and the only one in which the theme is treated separately rather than as part of a series depicting the story of Noah. Jacopo [+]

The Conversion of Saint Paul
Oil on canvas. 1590 - 1595
Young Palma (Jacopo Negretti)
The Conversion of Saint Paul
Oil on canvas. 1590 - 1595
Young Palma (Jacopo Negretti)

Saul (Saint Paul) has fallen to the ground beside his horse. He is surrounded by his companions, who flee in fear at the apparition of Christ, represented by the brilliant light in the background. The [+]

Allegory of the Birth of the Infante Don Fernando
Oil on canvas. Ca. 1575
Parrasio, Michele
Allegory of the Birth of the Infante Don Fernando
Oil on canvas. Ca. 1575
Parrasio, Michele

This canvas, which the Venetian artist Parrasio sent to Philip II without a prior commission in order to gain the monarch’s favour, celebrates the birth of the heir to the Spanish throne in a mytholog [+]

The Return of the Prodigal Son
Oil on canvas. Ca. 1570
Bassano, Jacopo (Jacopo Dal Ponte); Bassano, Francesco
The Return of the Prodigal Son
Oil on canvas. Ca. 1570
Bassano, Jacopo (Jacopo Dal Ponte); Bassano, Francesco

This work portrays the well-known New Testament parable (Luke, 15: 11-32) illustrating the repentance of the sinner and the virtues of forgiveness. The pretext for the setting is the banquet given by [+]

The Dead Christ venerated by Pius V
Oil on copperplate. Ca. 1572
Parrasio, Michele
The Dead Christ venerated by Pius V
Oil on copperplate. Ca. 1572
Parrasio, Michele

Christ lies dead on a bed beside which Pope Pius V kneels, surrounded by angels. Above them, two angels hold a chalice and a communion wafer, symbols of his death and resurrection. On the lower part o [+]

Tabletop of the Admiral of Castile
White marble, Agate, Chalcedony, Paragone, Bohemian jasper, Lapis lazuli, Coral. Ca. 1625
Anonymous
Tabletop of the Admiral of Castile
White marble, Agate, Chalcedony, Paragone, Bohemian jasper, Lapis lazuli, Coral. Ca. 1625
Anonymous

This tabletop has a border with large, lapis lazuli cartouches surrounding the arms of the 9th Admiral of Castile, Alfonso Enríquez de Cabrera, and of his mother, Vittoria Colonna. Enríq [+]

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