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A Soldier
Oil on canvas. Ca. 1560
Moroni, Giovanni Battista
A Soldier
Oil on canvas. Ca. 1560
Moroni, Giovanni Battista

Painted in Bergamo, this canvas reveals Moroni’s innate gifts as a portraitist, which were based on his remarkable ability to offer an objective depiction of real life in which the Lombardo-Venetian t [+]

John Frederick I of Saxony
Oil on canvas. 1548
Titian (Tiziano Vecellio)
John Frederick I of Saxony
Oil on canvas. 1548
Titian (Tiziano Vecellio)

John Frederick I of Saxony (Torgau, 30 June 1503–Jena, 3 March 1554), Duke of Saxony-Wittenberg from 1532, was the principal defender of Luther, a fact that brought him into conflict with Charles V. I [+]

Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)
Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)

On 16 April 1529 Federico II Gonzaga, First Duke of Mantua (1500-1540), apologised to his uncle Alfonso d’Este for retaining Titian: perché ha conienzo un retratto mio qual molto desidero sii f [+]

Daniele Barbaro, Patriarch of Aquileia
Oil on canvas. Ca. 1545
Titian (Tiziano Vecellio)
Daniele Barbaro, Patriarch of Aquileia
Oil on canvas. Ca. 1545
Titian (Tiziano Vecellio)

Described by Lodovico Dolce as a gentleman of great merit and infinite goodness, Daniele Barbaro (1513-1570) was from a noble Venetian family. He was educated to the highest level first in Verona and [+]

Marsilio Cassotti and his Wife Faustina
Oil on canvas. 1523
Lotto, Lorenzo
Marsilio Cassotti and his Wife Faustina
Oil on canvas. 1523
Lotto, Lorenzo

Having trained in Venice, probably with Giovanni Bellini, Lorenzo Lotto worked in Treviso (1503-1506), Recanati (1506- 1508) and Rome (c. 1508-1510) before settling in Bergamo.There, between 1513 and [+]

Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)
Self-portrait
Oil on canvas. Ca. 1562
Titian (Tiziano Vecellio)

Titian painted his first self-portrait before leaving for Rome in 1545. However, it was after his Roman stay that he showed the most interest in disseminating his image in order to fully establish his [+]

Knight with a Clock
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)
Knight with a Clock
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)

The unknown subject of this portrait has been identified, inconclusively, as either Gianello della Torre, a clockmaker at the Spanish court, or some member of the Cuccini family. Whether or not the fi [+]

Gentleman with a Gold Chain
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti
Gentleman with a Gold Chain
Oil on canvas. Ca. 1555
Tintoretto, Jacopo Robusti

The Nobleman with the Golden Chain is the finest portrait by Jacopo Tintoretto at the Museo del Prado and one of that painter’s most outstanding, overall. While historians disagree about its chronolog [+]

Portrait of a Woman (Agnese, the painter’s sister-in-law?)
Oil on unlined canvas. 1525 - 1530
Licinio, Bernardino
Portrait of a Woman (Agnese, the painter’s sister-in-law?)
Oil on unlined canvas. 1525 - 1530
Licinio, Bernardino

Modigliani identified the sitter as Agnese, the painter’s sister-in-law, through her resemblance to the woman who appears in the Portrait of Arrigo Licinio and his Family (Rome, Galleria Borghese, inv [+]

Plato
Marble. 1525 - 1550
Grandi, Vincenzo (Attributed To)
Plato
Marble. 1525 - 1550
Grandi, Vincenzo (Attributed To)

This profile portrait and its pair, Aristotle (E314), were in the collection of Diego Hurtado de Mendoza (1503-1575), humanist, Spanish ambassador to Venice and a friend of Titian, before they entered [+]

Aristotle
Marble. 1525 - 1550
Grandi, Vincenzo (Attributed To)
Aristotle
Marble. 1525 - 1550
Grandi, Vincenzo (Attributed To)

This image of Aristotle was in the possession of Diego Hurtado de Mendoza (1504-1575), poet, bibliophile, antiquarian and imperial ambassador in Venice between 1539 and 1546, when he moved to Rome. Ar [+]

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