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Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host (P00844), flanked by two Old Testament figures: King Melchizedek, bearing [+]
This panel was part of the Saint Eligius Altarpiece located in the chapel of the silversmiths’ guild in the church of Santa Catalina, Valencia. The altarpiece was commissioned from Juan de Juanes, who [+]
This painting formed part of the Altar Piece of San Esteban (Valencia), the most celebrated work by Juanes, who came from Valencia. The scenes included the most important episodes in the life of the s [+]
Painted for the base of the main altarpiece of San Esteban in Valencia (P00838, P00839, P00840, P00841 and P00842), Inspired by Leonardo, both in the definition of the space and in the eloquent expres [+]
This work´s existence and interest were noticed by Valencian specialist and director of that city´s Museum of Fine Arts, Fernando Benito Domenech. That museum´s Juan de Juanes exhibition in 2000 inclu [+]
A depiction of the New Testament story (Acts 7, 58) Saint Stephen was condemned to stoning after angering the priests of the Sanhedrin assembly. This scene represents the moment when he is taken out o [+]
Purchased by Charles IV, this portrait entered the royal collections in 1814 and was already listed in the Museo del Prado’s catalogs in 1854 as a work by Juan de Juanes. The identity of the sitter ha [+]
Juan de Juanes depicts the episode in the Acts of the Apostles when Saint Stephen declared before the Sanhedrin: “I see the heavens opened and the Son of Man standing on the right hand of God.” When t [+]
This painting forms part of the Altarpiece of San Esteban (Valencia), along with other scenes from the saint´s life (P00838, P00839, P00841 and P00842), as well as the Last Supper (P00846). According [+]
Masip depicts this fourth-century Roman saint´s second martyrdom, when, after having been condemned to be burned at the stake, the flames miraculously failed to touch her body and she was finall [+]
Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host, flanked by two Old Testament figures: King Melchizedek, bearing bread an [+]
This is a scene from The Visitation, with Saint Elizabeth kneeling in homage to Mary, as is customary in Italian art since Ghirlandaio. Zachariah and Saint Joseph stand behind them. The dynamic postur [+]
The Virgin is crowned in the heavens by God the Father, Christ and the Holy Spirit, depicted in the form of a dove with its wings outstretched. Around them are grouped thirty-three saints of a type ch [+]
This direct, frontal depiction of Christ wearing the crown of thorns, his hands tied and holding a reed sceptre, was one of Juanes’s most succesful compositions. The meticulous rendering is reminiscen [+]
Taken together, these three works clearly convey a Eucharistic meaning. They depict Christ holding up the chalice and the Host (P00844), flanked by two Old Testament figures: King Melchizedek, bearing [+]
This painting forms part of the Altarpiece of San Esteban (Valencia), along with other scenes from the saint´s life (P00838, P00839, P00841 and P00842), as well as the Last Supper (P00846). This panel [+]
Este oratorio portátil es una pieza excepcional que aúna dos delicados trabajos de Damián Forment y Juan de Juanes, figuras fundamentales del Renacimiento en la Corona de Aragón. La representación cen [+]
This scene, narrated in the Acts of the Apostles, depicts the so-called “choice of deacons”, the moment when, in the name of the Apostles, Saint Peter ordered seven virtuous men to serve at the table [+]
