The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
28 results
Saint Gregory
Mixed method on panel. Ca. 1500
Nalda, Juan de
Saint Gregory
Mixed method on panel. Ca. 1500
Nalda, Juan de

The painter, of Riojan origin, completed his artistic formation with Jean Changenet in Avignon (doc. 1493). When he returned to Castile he worked in Palencia and Burgos. The simplification of volumes [+]

The Beheading of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores
The Beheading of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores

The panel shows three different scenes: in the distance on the left Salome’s dance, and on the right Salome is giving Herodias the Baptist’s head. In the foreground the beheading has already taken pla [+]

Saint Michael Archangel
Mixed method on panel. 1475 - 1485
Ximénez, Miguel
Saint Michael Archangel
Mixed method on panel. 1475 - 1485
Ximénez, Miguel

This is the left panel of the Altar Piece of the Pietà, Saint Michael and Saint Catherine from the church of Santa María in Ejea de los Caballeros (Zaragoza). The painter, originally fro [+]

Saint John the Baptist and a Donor
Oil on panel. 1480 - 1485
Cruz, Diego de la
Saint John the Baptist and a Donor
Oil on panel. 1480 - 1485
Cruz, Diego de la

The painter of this work was a collaborator of the sculptor Gil de Siloe and was familiar with Northern art. John the Baptist, recognisable by his clothing and by the lamb on the book, has been painte [+]

The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín
The Crucifixion
Mixed method on panel. Ca. 1480
Bernat, Martín

This is one of Bernat’s early works and is very similar to the work of Bermejo in the anatomy, colour and slim proportions of the figures in it -Saint John, the Magdalene, Longinus- as well as the lit [+]

Saint Vincent, Deacon and Martyr, with a Donor
Mixed method on panel. 1462 - 1466
Giner, Tomás
Saint Vincent, Deacon and Martyr, with a Donor
Mixed method on panel. 1462 - 1466
Giner, Tomás

This is the central panel of the altar piece in the archdeacon’s chapel in the cathedral of Zaragoza, built by Bernardo Villalba, archdeacon of this city, and Jaime Hospital, canon and archdeacon of B [+]

The Death of the Virgin
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla
The Death of the Virgin
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla

This is by the same artist as The Presentation (P-1257), although it has a more Germanic character on account of it being almost a copy of an etching by Martin Schongauer (c. 1435/50-1491) of the same [+]

The Transfer of the Body of Saint James the Greater at the Palace of Queen Lupa
Mixed method on panel. 1480 - 1490
Bernat, Martín
The Transfer of the Body of Saint James the Greater at the Palace of Queen Lupa
Mixed method on panel. 1480 - 1490
Bernat, Martín

After being brought to Iria, in Galicia, by boat -the scene visible in the background of the painting- Saint James’s body was carried in a cart pulled by two bulls. In this painting, Athanasius and Th [+]

The Visitation
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores
The Visitation
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores

The anonymous artist of the six panels (P-705–P710) dedicated to John the Baptist that come from the charterhouse in Burgos is known as the Maestro de Miraflores. The paintings are characterised by si [+]

The Nativity
Oil on panel. Ca. 1470
Master Of Sopetrán
The Nativity
Oil on panel. Ca. 1470
Master Of Sopetrán

Of the four paintings commissioned by the Duke of Infantado, The Nativity is the one that is least influenced by Netherlandish models, particularly the structure of the architecture. In The Death of t [+]

Predella with the Resurrection of Christ
Mixed method on panel. 1475 - 1485
Ximénez, Miguel
Predella with the Resurrection of Christ
Mixed method on panel. 1475 - 1485
Ximénez, Miguel

The painting, which comes from the church of Santa María in Ejea de los Caballeros (Zaragoza), is made up of five panels. The central panel represents the Resurrection. On either side of it are [+]

Saint Michael Archangel
Mixed method on panel transferred to canvas. 1495 - 1500
Master Of Zafra
Saint Michael Archangel
Mixed method on panel transferred to canvas. 1495 - 1500
Master Of Zafra

Bearing a sword in his right hand, and a shield in his left, Saint Michael, dressed in red robes, attacks a dragon, the symbol of sin. The upper part of the composition shows three heavenly choirs whi [+]

The Virgin of the Catholic Monarchs
Mixed method on panel. 1491 - 1493
Master Of The Virgin Of The Catholic Monarchs
The Virgin of the Catholic Monarchs
Mixed method on panel. 1491 - 1493
Master Of The Virgin Of The Catholic Monarchs

The Virgin Mary, with the Christ Child on her lap, is worshiped by the Catholic Kings, Isabel (1451-1504) and Fernando (1452-1516), two of their children, and others. On the right of the composition, [+]

Ferdinand I of Castile welcoming Saint Dominic of Silos
Oil on panel. 1478 - 1479
Bernat, Martín; Bermejo, Bartolomé
Ferdinand I of Castile welcoming Saint Dominic of Silos
Oil on panel. 1478 - 1479
Bernat, Martín; Bermejo, Bartolomé

This work formed part of the altar piece of the church of Santo Domingo de Silos in Daroca (Zaragoza) together with Bermejo’s Saint Dominic of Silos (P1323). It shows one of the two stories about the [+]

The Lamentation
Mixed method on panel. Ca. 1490
Master Of The Luna Family
The Lamentation
Mixed method on panel. Ca. 1490
Master Of The Luna Family

This painting is a slight variation of the central panel in the predella of the Don Álvaro de Luna Altar Piece which is in the Toledo cathedral (doc. 1488). Mary, helped by Saint John and Nicod [+]

The Birth of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores
The Birth of Saint John the Baptist
Oil, Tempera on panel. 1490 - 1500
Master Of Miraflores

The painting shows a luxurious domestic interior. The window at the far end contains a stained glass scene of the Anunciation, an allusion to Christ’s incarnation. The Virgin Mary receives the baby Sa [+]

The Presentation of Jesus in the Temple
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla
The Presentation of Jesus in the Temple
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla

Mary, who is very richly dressed, is holding the Christ child above the altar; Joseph is at her side. Simeon is also in the room, along with some women, one of whom has a basket with two doves in it. [+]

The Death of the Virgin
Oil on panel. Ca. 1470
Master Of Sopetrán
The Death of the Virgin
Oil on panel. Ca. 1470
Master Of Sopetrán

Of the four paintings commissioned by the Duke of Infantado, The Nativity is the one that is least influenced by Netherlandish models, particularly the structure of the architecture. In The Death of t [+]

Up