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This portrait is a full-length likeness of Philip II’s third wife, Queen Isabel de Valois. She wears a black gown with pointed sleeves and a long train that is curled around her body and billows at th [+]
Margaret, who married Philip III in 1599, was the daughter of the Archduke of Bavaria. In this portrait by Pantoja de la Cruz -the most representative painter of the reign- she wears the so-called “Ri [+]
Philip II’s two daughters Isabel Clara Eugenia (1566-1633) and Catalina Micaela (1567-1597), were repeatedly portrayed from the time they were very small by Alonso Sánchez Coello, one of the ki [+]
Sofonisba Anguissola arrived in Spain in 1559 to serve as a lady-in-waiting to Philip II’s third wife, Elizabeth of Valois (1546-1568). A renowned painter in her native Cremona, she held no official p [+]
The king is portrayed in armour, beside a tent; the image is not particularly representative of the sitter, whose tastes tended more towards regal pomp and religious piety. The composition follows ear [+]
In this half-length portrait, the lady is wearing a dark brown velvet overdress luxuriously ornamented with gold chain-stitched embroidery, slit sleeves, and a high collar open in front in the Flemish [+]
Portrayed in more than half-length, Catalina Micaela (1567-1597) wears an entirely black dress with lace collar and cuffs, inner sleeves of golden white and white ribbons. A double string of pearls, a [+]
Though she drew on models characteristic of Spanish court portraiture, the soft modelling, diffuse lighting and subtle brushwork are distinctive features of Sofonisba’s own style, and of the Lombard p [+]
This portrait depicts Prince Carlos (1545-1568), heir to the Spanish throne and son of Felipe II (1556-1598), by his first wife and cousin, Manuela de Portugal (1528-1545). This work idealizes the Pri [+]
The Infanta, Felipe II´s daughter, is portrayed at the age of thirteen. She stands with a distant and elegant gesture, in three-quarters, which was in keeping with a type of portraiture widely used am [+]
