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This portrait is one of Dürer’s great creations. It offers a three-quarters view of an unidentified person who occupies most of the canvas. Dürer places him in front of a dark background tha [+]
Dürer made this panel and its companion, Eve (P02178) upon returning from his second trip to Italy in 1505. Both works constitute an effort to synthesize what he had learned there, in search of a [+]
This bust portrait is a companion to that of the sitter´s husband (P02183). Shown at somewhat less than half- length, she wears a white, Nordic-style cap and a severely cut dress, and holds a wh [+]
In the same year that he published the Apocalipsis cum figuris, Dürer painted himself as a gentleman, dressed in light toned clothes and looking his best. He wears an open black and white doublet [+]
Like the painting of Adam (P02177), represented on a separate panel, Eve´s unstable posture, her rhythmical movements and her affected gestures are sometimes interpreted as a return to earlier models [+]
A hunting scene characterized by a very developed landscape castle of Hartenfels in Torgau (Saxony). Among those taking part are the Emperor Charles V and John Frederick the Magnanimous, Elector of Sa [+]
Among the hunters depicted here are Ferdinand I, King of the Romans, on the left in the foreground, and the Elector of Saxony in the centre. On the other side of the river and holding a crossbow is th [+]
Death has taken hold of an older woman who is in turn trying to pull along a voluptuous young woman who seems to be resisting. Death holds an hourglass and a broken lance, on the lower tip of which a [+]
The convincingly modelled figures seem like the fantastical inhabitants of a ghostly forest illuminated by the light of the full moon. One reads a book next to a laurel tree while her companions look [+]
Portrayed at less than half-length, the sitter wears a large cap and clothing with a fur collar in the northern style. He holds a carnation in his hands, with a signet ring whose coat of arms consists [+]
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