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Bust of Christ
Tempera on panel. Ca. 1495
Antoniazzo Romano (Antonio Di Benedetto Aquili)
Bust of Christ
Tempera on panel. Ca. 1495
Antoniazzo Romano (Antonio Di Benedetto Aquili)

[+]

The Funeral of Saint Anthony Abbot
Tempera on poplar panel. 1426 - 1430
Angelico, Fra
The Funeral of Saint Anthony Abbot
Tempera on poplar panel. 1426 - 1430
Angelico, Fra

This scene is from the predella of an altarpiece dedicated to Saint Anthony Abbot, the founder of the eremitic movement. Its technical and formal characteristics suggest a dating close to that of The [+]

The Continence of Scipio
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido
The Continence of Scipio
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido

Esta pintura y El rapto de las Sabinas (P524) formaban parte de la decoración de dos cassoni encargados en mayo de 1496 en Bolonia por Lodovico da Sala al pintor Guido Aspertini con motivo de los espo [+]

The Holy Family
Oil on panel. XVI century
Luini, Bernardino (Bernardino Scapi)
The Holy Family
Oil on panel. XVI century
Luini, Bernardino (Bernardino Scapi)

Luini shows the influence Leonardo da Vinci had in the area around Milan, although he only adopts the latter´s models and some formal aspects. The Holy Family with Saint John the Baptist was a private [+]

The Virgin with the Pomegranate
Tempera on panel. Ca. 1426
Angelico, Fra
The Virgin with the Pomegranate
Tempera on panel. Ca. 1426
Angelico, Fra

The Virgin with the Pomegranate is an exceptional work painted during one of the key periods in the history of art, in Florence, cradle of the Renaissance, in the first quarter of the fifteenth centur [+]

Scenes from The Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from The Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

The Death of the Virgin
Mixed method on panel. Ca. 1462
Mantegna, Andrea
The Death of the Virgin
Mixed method on panel. Ca. 1462
Mantegna, Andrea

The Virgin Mary lies on her deathbed, surrounded by eleven Apostles. Through the window, the Borgo di San Giorgio and the Laguna of Mantua can be seen in the background. This scene depicts the Virgin [+]

Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

The Dead Christ supported by an Angel
Mixed method on panel. 1475 - 1476
Messina, Antonello Da
The Dead Christ supported by an Angel
Mixed method on panel. 1475 - 1476
Messina, Antonello Da

Antonello was trained in Naples, the Italian city most influenced by Flemish painting. He later worked in Sicily and mainland Italy. In 1475 he traveled to Venice and, while this work was painted on h [+]

The Virgin and Child with Saint John
Oil on panel. 1515 - 1517
Correggio (Antonio Allegri)
The Virgin and Child with Saint John
Oil on panel. 1515 - 1517
Correggio (Antonio Allegri)

Outside of Rome and Florence, no painter was as decisive in the formulation of painting´s classical language as Corregio. His youth, before his stay in Rome in 1518 and 1519, cannot be understood with [+]

The Virgin and Child
Tempera, Gilded on panel. Ca. 1345
Traini, Francesco
The Virgin and Child
Tempera, Gilded on panel. Ca. 1345
Traini, Francesco

The panel’s small size, making it particularly suitable for private devotion, reflects the growth of the cult of the Virgin. A typical feature of Tuscan art of this date is the use of inscriptions suc [+]

The Mona Lisa
Oil on walnut panel. 1503 - 1519
Leonardo Da Vinci (Workshop Of)
The Mona Lisa
Oil on walnut panel. 1503 - 1519
Leonardo Da Vinci (Workshop Of)

This version of the Mona Lisa (Louvre) was painted by one of Leonardo’s pupils, probably Salaí (1480-1524) or Francesco Melzi (1493-1572/3). The fact that each pentimento, or change, in Leonard [+]

The seven Liberal Arts
Tempera on panel. Ca. 1435
Ponte, Giovanni Dal
The seven Liberal Arts
Tempera on panel. Ca. 1435
Ponte, Giovanni Dal

This decoration of the front of a chest depicts the seven Liberal Arts, accompanied by an equal number of figures that represent the most relevant personages in each discipline. All are being crowned [+]

Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

Saint Eligius in his Goldsmith's Workshop
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia
Saint Eligius in his Goldsmith's Workshop
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia

This is a set of two scenes (P02842, P02841) referring to one of the first known stories of Saint Eloy, a French saint from the late sixth and early seventh century and a great goldsmith who served ki [+]

Saint Eligius before King Chlothar II
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia
Saint Eligius before King Chlothar II
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia

This is a set of two scenes (P02842, P02841) referring to one of the first known stories of Saint Eloy, a French saint from the late sixth and early seventh century and a great goldsmith who served ki [+]

Portrait of a Gentleman
Oil on panel. 1550 - 1555
Volterra, Daniele Ricciarelli Da
Portrait of a Gentleman
Oil on panel. 1550 - 1555
Volterra, Daniele Ricciarelli Da

Michel Hochmann identified the painting in the Capodimonte as the ‘Quadretto corniciato di pero tinto con un ritratto di un giovane, in pietra di Genova, di mano del medesimo [Daniele]’ refered to in [+]

Triptych, open: Bust of Christ, Saints John the Baptist and Peter. Closed: Saints John the Evangelist and Columba
Tempera on panel. Ca. 1495
Antoniazzo Romano (Antonio Di Benedetto Aquili)
Triptych, open: Bust of Christ, Saints John the Baptist and Peter. Closed: Saints John the Evangelist and Columba
Tempera on panel. Ca. 1495
Antoniazzo Romano (Antonio Di Benedetto Aquili)

This triptych consists of five panels, the central one depicting a bust of Christ with a halo incorporating a cross. He presides over the composition, flanked on the inside of the lateral panels by Sa [+]

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