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The Funeral of Saint Anthony Abbot
Tempera on poplar panel. 1426 - 1430
Angelico, Fra
The Funeral of Saint Anthony Abbot
Tempera on poplar panel. 1426 - 1430
Angelico, Fra

This scene is from the predella of an altarpiece dedicated to Saint Anthony Abbot, the founder of the eremitic movement. Its technical and formal characteristics suggest a dating close to that of The [+]

The Continence of Scipio
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido
The Continence of Scipio
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido

Esta pintura y El rapto de las Sabinas (P524) formaban parte de la decoración de dos cassoni encargados en mayo de 1496 en Bolonia por Lodovico da Sala al pintor Guido Aspertini con motivo de los espo [+]

Scenes from The Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from The Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

The Death of the Virgin
Mixed method on panel. Ca. 1462
Mantegna, Andrea
The Death of the Virgin
Mixed method on panel. Ca. 1462
Mantegna, Andrea

The Virgin Mary lies on her deathbed, surrounded by eleven Apostles. Through the window, the Borgo di San Giorgio and the Laguna of Mantua can be seen in the background. This scene depicts the Virgin [+]

Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

The Dead Christ supported by an Angel
Mixed method on panel. 1475 - 1476
Messina, Antonello Da
The Dead Christ supported by an Angel
Mixed method on panel. 1475 - 1476
Messina, Antonello Da

Antonello was trained in Naples, the Italian city most influenced by Flemish painting. He later worked in Sicily and mainland Italy. In 1475 he traveled to Venice and, while this work was painted on h [+]

The seven Liberal Arts
Tempera on panel. Ca. 1435
Ponte, Giovanni Dal
The seven Liberal Arts
Tempera on panel. Ca. 1435
Ponte, Giovanni Dal

This decoration of the front of a chest depicts the seven Liberal Arts, accompanied by an equal number of figures that represent the most relevant personages in each discipline. All are being crowned [+]

Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro
Scenes from the Story of Nastagio degli Onesti
Mixed method on panel. 1483
Botticelli, Sandro

These panels (P02838, P02839, P02840), along with a fourth one in a private collection, illustrate the Story of Nastagio degli Onesti, the eighth novel of the fifth day of Boccaccio´s Decameron. This [+]

The Saviour
Oil on panel. 1482 - 1484
San Leocadio, Paolo Da
The Saviour
Oil on panel. 1482 - 1484
San Leocadio, Paolo Da

A votive image of Christ the Savior crowned with a cross-shaped halo. He wears a green tunic and red robes and has an expression of profound sorrow. All of these are symbols evoking his Passion. The g [+]

Saint Eligius in his Goldsmith's Workshop
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia
Saint Eligius in his Goldsmith's Workshop
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia

This is a set of two scenes (P02842, P02841) referring to one of the first known stories of Saint Eloy, a French saint from the late sixth and early seventh century and a great goldsmith who served ki [+]

Mater Dolorosa
Oil on panel. 1482 - 1484
San Leocadio, Paolo Da
Mater Dolorosa
Oil on panel. 1482 - 1484
San Leocadio, Paolo Da

A devotional image of the Virgin Mary wearing blue and white, with a halo. She looks directly at the viewer, transmitting her sorrow at the death of Christ. The bust is completed with a gilded inner f [+]

Saint Eligius before King Chlothar II
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia
Saint Eligius before King Chlothar II
Tempera, Gilded on panel. Ca. 1370
Master Of The Madonna Della Misericordia

This is a set of two scenes (P02842, P02841) referring to one of the first known stories of Saint Eloy, a French saint from the late sixth and early seventh century and a great goldsmith who served ki [+]

Triptych, open: Bust of Christ, Saints John the Baptist and Peter. Closed: Saints John the Evangelist and Columba
Tempera on panel. Ca. 1495
Antoniazzo Romano (Antonio Di Benedetto Aquili)
Triptych, open: Bust of Christ, Saints John the Baptist and Peter. Closed: Saints John the Evangelist and Columba
Tempera on panel. Ca. 1495
Antoniazzo Romano (Antonio Di Benedetto Aquili)

This triptych consists of five panels, the central one depicting a bust of Christ with a halo incorporating a cross. He presides over the composition, flanked on the inside of the lateral panels by Sa [+]

The Virgin of the Knight of Montesa
Oil on panel. 1472 - 1476
San Leocadio, Paolo Da
The Virgin of the Knight of Montesa
Oil on panel. 1472 - 1476
San Leocadio, Paolo Da

In the bay of a Renaissance cloister, Mary is seated on a throne with her Son on her lap. On the left is Saint Benedict and on the right, Saint Bernard, patrons of the Order of Montesa. The latter pro [+]

The Continence of Scipio. The Rape of the Sabines
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido
The Continence of Scipio. The Rape of the Sabines
Oil on panel. 1496
Aspertini, Amico; Aspertini, Guido

These paintings decorated two cassoni and were commissioned in 1496 in Bologna by Ludovico da Sala from Guido Aspertini for the betrothal of his daughter Angelica to Giovan Battista Bolognetti. It is [+]

The Agony in the Garden with the Donor Louis I d’Orléans
Tempera grassa on oak panel. 1405 - 1408
Laon, Colart de (?)
The Agony in the Garden with the Donor Louis I d’Orléans
Tempera grassa on oak panel. 1405 - 1408
Laon, Colart de (?)

Few French paintings from the early fifteenth century have survived and works of this quality and importance are exceptionally rare. The nettle leaves on the sleeves of the donor, who appears here pre [+]

The Annunciation
Tempera on panel. Ca. 1426
Angelico, Fra
The Annunciation
Tempera on panel. Ca. 1426
Angelico, Fra

This altarpiece was painted for the monastery of Santo Domenico in Fiesole, near Florence. The central panel shows the Archangel Gabriel’s Annunciation to Mary under a portico. On the left, Adam and E [+]

Bust of Christ
Tempera on panel. Ca. 1495
Antoniazzo Romano (Antonio Di Benedetto Aquili)
Bust of Christ
Tempera on panel. Ca. 1495
Antoniazzo Romano (Antonio Di Benedetto Aquili)

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