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The Triptych in the Museo del Prado labeled as Scenes from the Life of Christ is a pivotal work in the story of Valencian painting in the fifteenth century and in the transmission of the style and tec [+]
Documents at Palencia Cathedral cast light on this Crucifixion’s original location -the central row of the main altarpiece at that cathedral- and its author: Juan de Flandes (doc. 1496-1519). They als [+]
En esta obra el rostro de Cristo muestra los rasgos propios del pintor, materializados con una técnica más libre, con los contornos menos definidos, como las tablitas de la primera serie del Políptico [+]
These panels (P2575, P2576, P2578), formerly in the Benedictine monastery at Sopetrán (Guadalajara), were part of an altarpiece created in Brussels that originally included a sculptural group. [+]
The panel has been trimmed on all four sides but little of the painted surface can have been lost. It is made from two boards of Baltic oak, both from the same tree; the last ring was formed in 1372. [+]
Francisco Fernández de Córdoba wears a biretta and ecclesiastical robes. He was the son of the second Count of Cabra and of Doña María Hurtado de Mendoza-Luna. He was the B [+]
In keeping with the Gospel according to Saint Luke (22: 39-46), Christ, far from the disciples, kneels down with his hands separated and prays to the Father to take away the cup of suffering he must d [+]
Hidden by a cloud, Christ ascends to heaven, watched by Mary and the apostles, amongst whom James is placed in a prominent position. He appears with a staff and a pilgrim’s hat. The upper part of Chri [+]
According to the Acts of the Apostles (2: 1-41), the Virgin and the apostles were gathered in the Upper Room when the Holy Spirit descended on them in the form of tongues of fire. The Holy Spirit is s [+]
These panels (P2575, P2576, P2578), formerly in the Benedictine monastery at Sopetrán (Guadalajara), were part of an altarpiece created in Brussels that originally included a sculptural group. [+]
These panels (P2576, P2577, P2578), formerly in the Benedictine monastery at Sopetrán (Guadalajara), were part of an altarpiece created in Brussels that originally included a sculptural group. [+]
These panels (P2575, P2577, P2578), formerly in the Benedictine monastery at Sopetrán (Guadalajara), were part of an altarpiece created in Brussels that originally included a sculptural group. [+]
In keeping with the style of his final years in Palencia, this Flemish painter increases the size of the three main figures- Christ blesses Lazurus, who rises from the tomb. His hand rests on the top [+]
This portrait of Isabella I of Castile (1451-1504) is one of the earliest known depictions of the Catholic Queen, shown wearing a jewel she received from her father in a clear reference to dynastic co [+]
The painter who, according to documents, was of German origin, made this work in Córdoba. In order to execute this scene, he used the so-called Prevedari Engraving, made after a drawing by the [+]
Obra flamenca de hacia 1480-90, de estilo muy próximo al del anónimo maestro del retablo de Covarrubias, cuyos modelos y técnica son idénticos, según Salas (1978). En cambio, A. Franco (1997) no desca [+]
