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Con la adquisición en 2008 de la tabla Sagrada Familia con ángel músico (P08009), el Museo del Prado completa el tríptico del Maestro de Francfort, que perteneció al convento dominico de Santa Cruz de [+]
Mary sits in front of a Renaissance shrine. The figures look like sculptures, as was customary in Gossaert from 1508-1509 on. They reflect his study of ancient sculptures and the drawings he made duri [+]
The position of the figures, looking at each other, is common for diptych paintings. However, we do not know if these were originally painted as pendants to each other. In 1597, this panel and Virgin [+]
According to the Latin inscription on the back of this panel, which attributes it to Jan Gossaert, it was acquired by the magistrate of Louvain in 1588 from that city’s Augustinian monks. It was inten [+]
This triptych makes use of a traditional compositional scheme and iconography, with the principal scene in the central panel. However, the volumetric treatment of the figures reflects new Italian infl [+]
This is the right wing of the Genealogy of the Virgin altarpiece which the Count of Barajas donated to Philip II, according to the inventory of the Alcazar of Madrid of 1600. On the reverse, Saint Ber [+]
The Baptism of Christ, in the central panel, contains echoes of Gerard David, while the two side panels -The Beheading of Saint John the Baptist and Saint John the Evangelist on the Island of Patmos- [+]
The Apostle protects a group of male donors wearing the habit of the Dominican Order. In the background, angels bear souls to Heaven. Characteristically, Coecke conveys the movement of clothes and hai [+]
Christ is presented as the Savior of the World, blessing humankind, between Saint John and the Virgin, who turn towards him. The three figures are shown three-quarters under arches with a complex goth [+]
The Holy Family is shown indoors, in front of a window thought which a costal landscape is visible. The Christ Child stands on a sumptuous carpet and plays with his mother. Saint Joseph holds an apple [+]
In her hand, Mary holds a pear, one of the fruits of Paradise, which presents her as the new Eve. The Christ Child sits on her knees and plays with its opposite, a rosary that alludes to the Passion. [+]
This triptych makes use of a traditional compositional scheme and iconography, with the principal scene in the central panel. However, the volumetric treatment of the figures reflects new Italian infl [+]
Wearing a red habit, Saint Jerome sits at a table, pointing to his customary attribute, the skull that illustrates his meditations on the vanity of life. The bookstand holds a tome open to a page show [+]
The Virgin, with an idealized face, stands under a semi-circular arch, holding her Child in her arms. In the background are five angels: a harpist and a singer on the left, and on the right, three mor [+]
Quentin Massys was one of the leading Flemish painters of the late fifteenth and early sixteenth century and developed his professional career in Antwerp. The origin of this painting is unknown. It ha [+]
