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This is a reduced-scale replica of the original in the Spanish Parliament, which is one of Spain’s most famous nineteenth-century history paintings. The subject is associated with the liberal cause an [+]
This is Rosales’s last history painting, which was left unfinished on his death. It reveals his working method, which is relatively free in this case. The retinue of Joan of Castile, who is anxious to [+]
In this preparatory study, Rosales studied many of the spatial and compositional solutions that he included in one of his best known paintings, The Presentation of don John of Austria to the Emperor C [+]
This painting summarises many of Fortuny’s artistic concerns during his summer stay in Portici on the Neapolitan coast in a more complete manner than the other landscapes from this period in the Prado [+]
This portrait is one of the artist’s finest works and reveals his proximity to international Neo-classicism. The Grand Cross of the Order of the Reunion worn by the sitter and the red robe that identi [+]
One of the most important works by Rosales to have remained in private hands, this canvas exemplifies the artist’s adaptation of history painting to a small format characteristic of the end of his sho [+]
This is one of the first copies made after the Museum opened in 1819 and reveals the popularity of the original Italian painting among artists at that time. Of extremely high quality, it furthers our [+]
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