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Venice was the predominant subject of most of Rico’s paintings, since he spent the summer months there for over thirty years. He was particularly interested in the bustling commercial life of the dock [+]
Aline Masson was Madrazo’s favourite model for genre paintings. Her heavy-lidded gaze and slightly defiant attitude convey the frivolous atmosphere of Paris, where Madrazo’s portraits met with great a [+]
A domestic scene set in classical antiquity. An old man and a youth recline on divans while an attractive young woman plays music on a double flute. Both the clothing and the setting suggest the Greek [+]
The sitter, a leading figure in Parisian social circles, was the daughter of the Duke of Santoña, from whom she inherited the title of Marchioness of Manzanedo. This small canvas is one of the [+]
Rico combines his interest in the old buildings of Toledo, a city that he visited in 1875, with the picturesque motif of donkeys bearing water pitchers. His composition is based on various rapid, deft [+]
An intensely sensual female nude that presents the figure in the form of a pearl enclosed in its box, the ocean, which may be an allusion to the birth of Venus. Presented at the Paris Salon of 1863, t [+]
After establishing himself in Paris as portrait painter to the elegant and cosmopolitan high society of his time, Raimundo de Madrazo cultivated a particularly abundant clientele among the great ladie [+]
A serene landscape with the Bidasoa River´s mouth at the Cantabrian Sea, as seen from the sands of Fuenterrabía. This landscape, along with sixteen other works, was presented by Rico at the Uni [+]
This masterpiece by Raimundo de Madrazo represents his mature style in a worldly portrait painted with a personality that transcends his varied and different influences. Made a year before he was awar [+]
La obra es, como indica la inscripción, un estudio del natural para un retrato de gran tamaño que, encargado en 1887 por el Ministerio de Estado, cuyo titular era Segismundo Moret, para que sirviera d [+]
This work was painted at a very important moment in Rico’s career, a period spent in direct contact with Fortuny in Granada in 1871 and 1872. He move there towards the end of 1870, but he was already [+]
A graceful young woman is depicted nude, playing the tambourine and encircled below by a group of mischievous children who dance around her. Particularly virtuoso in its technique, this example of dec [+]
