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Gonzalo Fernández de Córdoba at the Battle of Cerignola
Oil on canvas. 1835
Madrazo y Kuntz, Federico de
Gonzalo Fernández de Córdoba at the Battle of Cerignola
Oil on canvas. 1835
Madrazo y Kuntz, Federico de

Este lienzo es una de las obras fundamentales de la pintura del Romanticismo español, así como el primer cuadro importante de este género realizado por Federico de Madrazo a lo largo de su fecundísima [+]

Federico Flórez y Márquez
Oil on canvas. 1842
Madrazo y Kuntz, Federico de
Federico Flórez y Márquez
Oil on canvas. 1842
Madrazo y Kuntz, Federico de

A full-length portrait of Federico Flórez as a boy, wearing the uniform of the School of Noble Students of Madrid. This work is especially significant in Madrazo´s oeuvre, as it is one of the f [+]

The Painter Carlos Luis de Ribera
Oil on canvas. 1839
Madrazo y Kuntz, Federico de
The Painter Carlos Luis de Ribera
Oil on canvas. 1839
Madrazo y Kuntz, Federico de

Carlos Luis de Ribera y Fievé, eldest son of the neoclassical painter, Juan Antonio de Ribera, was also a painter and a friend of Federico de Madrazo, who made this portrait while both lived in [+]

Sabina Seupham Spalding
Oil on canvas. 1846
Madrazo y Kuntz, Federico de
Sabina Seupham Spalding
Oil on canvas. 1846
Madrazo y Kuntz, Federico de

This portrait of the wife of the banker Henry O’Shea reveals the British influence on Madrazo’s fully romantic period. Her social position is indicated by the quality of the fabrics, laces and jewels, [+]

María Dolores Aldama, Marchioness of Montelo
Oil on canvas. 1855
Madrazo y Kuntz, Federico de
María Dolores Aldama, Marchioness of Montelo
Oil on canvas. 1855
Madrazo y Kuntz, Federico de

This young aristocrat, portrayed in three-quarter length, stands posed before the viewer wearing a magnificent black satin and velvet dress trimmed with lace and ribbons, a close-fitting bodice and a [+]

Portrait of a Lady with her Son
Oil on canvas. 1849
Ribera y Fieve, Carlos Luis de
Portrait of a Lady with her Son
Oil on canvas. 1849
Ribera y Fieve, Carlos Luis de

This portrait reveals the artist`s assimilation of French models, particularly those of his master, Paul Delaroche (1797-1856), who frequently used an oval format and low viewpoint in order to emphasi [+]

Josefa del Águila y Ceballos, later Marchioness of Espeja
Oil on canvas. 1852 - 1854
Madrazo y Kuntz, Federico de
Josefa del Águila y Ceballos, later Marchioness of Espeja
Oil on canvas. 1852 - 1854
Madrazo y Kuntz, Federico de

Madrazo interprets the elegance and refinement of the French painter Jean-Auguste-Dominique Ingres with a personality of his own, especially in the sitter’s pose. The handling of the textiles - notabl [+]

The Nymph Eurydice, Bitten by a Viper
Marble. 1865
Medina y Peñar, Sabino de
The Nymph Eurydice, Bitten by a Viper
Marble. 1865
Medina y Peñar, Sabino de

Eurydice, wife of the musician and poet Orpheus, was bitten by a viper and died of the wound. Her expression here, however, conveys no pain; she seems to be playing with the snake rather than receivin [+]

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