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En la orilla de una laguna bordeada de juncos y espadañas dos cazadores con sus escopetas, uno de pie y otro sentado, acechan cualquier movimiento en la laguna. A la izquierda, cierra la composición e [+]
From an early age, Muñoz Degrain was particularly attracted to landscape painting. This large canvas, which he produced at the age of twenty-six, is based on a realist conception of nature. Non [+]
During the Franco-Prussian War, Rosa Bonheur developed a singular fondness for lions. According to Anna Klumpke, her partner in the final years of her life, Bonheur was always attracted to the primeva [+]
A view of the profile of the Villerville mansion from the beach. The short, impasto and vibrant brushtrokes emphasize the sensation of a fleeting moment that Haes seems to have wanted to capture with [+]
Sobre una gran extensión de playa una barca pesquera con los mástiles erguidos y las velas replegadas descansa en la arena. Alrededor de ella cinco figuras diminutas de pescadores. A la izquierda mont [+]
A la izquierda, sobre un montículo, matorrales y un poste en primer término. Detrás, restos de una empalizada que baja hasta el mar. En el centro y sobre la arena, restos de troncos arrastrados por la [+]
These are instantaneous sketches taken directly from nature, here on the coast, in the French countryside, and in the mountains of Picos de Europa. Haes was a moving force in the transformation of lan [+]
A la orilla del mar, baten las olas sobre las formaciones rocosas que se adentran en él, sobresaliendo a la izquierda un promontorio en cuya superficie se adhieren líquenes y vegetación marina. Al fon [+]
Martín Rico was one of the leading Spanish landscape painters of the second half of the nineteenth-century. He was particularly interested in depicting tranquil stretches of water, and during h [+]
Un cercado, semi cubierto por matorrales y arbustos floridos, abre paso a un camino que se pierde por la izquierda. Al fondo, el desmonte de una pendiente iluminada fuertemente por el sol da paso a la [+]
The ruins of an old Tile Factory and the adjacent constuction on Príncipe Pío Hill at the Royal Seat of La Florida, Madrid. This enclave was one of the most visited by Haes and his disci [+]
Sobre la arena pedregosa, restos de seis postes de una empalizada. Al fondo, a la derecha, un montículo con cuatro construcciones y en el declive que se adentra en el mar, un embarcadero. Sobre el mar [+]
This work shows a setting on the outskirts of the town of Jaraba, bordering the province of Guadalajara at the southeastern edge of the province of Zaragoza in the Mesa River Cañon between Jara [+]
A country scene with a hill and a copse of woods on the right, and a perspective to the left that follows a river. In the foreground, three boys play near the water. The barretina cap one of them wear [+]
Built on a high and inaccessible mountain, the castle of Montsegur, one of the last strongholds of the Cathars (a Christian religious sect with gnostic elements that spread across Western Europe in th [+]
This picture clearly displays the influence of Goya as well as the artist’s familiarity with the French Romantic painters, particularly Delacroix. Lameyer was among the first Spanish artists to explor [+]
A la derecha, plantas inclinadas que crecen y se desarrollan en el agua al borde de la laguna. Masa de vegetación que se vuelve más espesa al fondo con una arboleda, dando paso a una línea uniforme os [+]
These are instantaneous sketches taken directly from nature, here on the coast, in the French countryside, and in the mountains of Picos de Europa. Haes was a moving force in the transformation of lan [+]
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