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The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de
The Death of Viriatus, Chief of the Lusitanians (preparatory sketch)
Oil on canvas. Ca. 1807
Madrazo y Agudo, José de

This preparatory sketch for the large-scale canvas painted by Madrazo in Rome (also on display in this room) reveals various differences with respect to the final composition. Madrazo gave more space [+]

Ransom of Captives in the Times of Charles III (sketch)
Oil on canvas. Ca. 1813
Aparicio e Inglada, José
Ransom of Captives in the Times of Charles III (sketch)
Oil on canvas. Ca. 1813
Aparicio e Inglada, José

A preparatory sketch for the painting of the same name, which has disappeared from the Museo del Prado’s collections. It commemorated the ransom of a large number of captives in Algiers in 1768 by ord [+]

The Colossus
Oil on canvas. After 1808
Goya y Lucientes, Francisco de (Attributed To)
The Colossus
Oil on canvas. After 1808
Goya y Lucientes, Francisco de (Attributed To)

A fearsome giant looms over a valley filled with a terrified, scattering multitude in what has on occasions been seen as a reference to the Spanish War of Independence. Although catalogued until recen [+]

The 2nd of May 1808 in Madrid or “The Fight against the Mamelukes”
Oil on canvas. 1814
Goya y Lucientes, Francisco de
The 2nd of May 1808 in Madrid or “The Fight against the Mamelukes”
Oil on canvas. 1814
Goya y Lucientes, Francisco de

In 1814, Goya addressed the reagent, Cardinal Luis de Bourbon, offering to make works commemorating events from the War of Independence (1808-1812): "to perpetuate, with a paintbrush, the most notable [+]

The 3rd of May 1808 in Madrid, or “The Executions”
Oil on canvas. 1814
Goya y Lucientes, Francisco de
The 3rd of May 1808 in Madrid, or “The Executions”
Oil on canvas. 1814
Goya y Lucientes, Francisco de

A depiction of the execution of patriots from Madrid by a firing squad from Napoleon´s army in reprisal for their uprising against the French occupation on the second of May, 1808. The French soldiers [+]

General José de Palafox on Horseback
Oil on canvas. 1814
Goya y Lucientes, Francisco de
General José de Palafox on Horseback
Oil on canvas. 1814
Goya y Lucientes, Francisco de

This portrait of José Rebolledo de Palafox y Melci (1775-1847), Field Marshal of Zaragoza, commemorates his defense of the city in 1808 when it was besieged by the French during the War of Inde [+]

The Death of Viriatus, Chief of the Lusitanians
Oil on canvas. 1807
Madrazo y Agudo, José de
The Death of Viriatus, Chief of the Lusitanians
Oil on canvas. 1807
Madrazo y Agudo, José de

This work was part of a series of canvases with scenes recalling how the people of the Iberian Peninsula resisted Roman domination. The idea for this series grew out of a patriotic impulse against the [+]

The Cavalry Soldier Jean-Baptiste Poret-Dulongval
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de
The Cavalry Soldier Jean-Baptiste Poret-Dulongval
Oil on canvas. Ca. 1813
Madrazo y Agudo, José de

A young French Officer, displaying the insignia of the Légion d’Honneur, rests beside his horse. In this portrait, which may have been painted in Rome during the Napoleonic occupation, the offi [+]

Ferdinand VII at an Encampment
Oil on canvas. After 1815
Goya y Lucientes, Francisco de
Ferdinand VII at an Encampment
Oil on canvas. After 1815
Goya y Lucientes, Francisco de

Several portraits of Ferdinand VII are attributed to Goya, though only a few have sufficient quality to be considered fully his own work. Furthermore, there is no accurate documentation of the portrai [+]

King Charles IV
Marble. 1815
Barba, Ramón
King Charles IV
Marble. 1815
Barba, Ramón

The King is portrayed as a Roman emperor, with laurel wreath and classical toga. Barba was one of the leading figures in the first generation of Spanish artists to train in Rome, where he lived from 1 [+]

Ferdinand VII
Carrara marble. Ca. 1825
Álvarez Cubero, José
Ferdinand VII
Carrara marble. Ca. 1825
Álvarez Cubero, José

Álvarez Cubero trained in Rome, and in 1816 was appointed Court Sculptor by King Ferdinand. Because he was Spain’s leading exponent of Neoclassical art, he was known as “the Spanish Canova”. In [+]

Even worse
Etching, Wash, Burin on paper. 1810
Goya y Lucientes, Francisco de
Even worse
Etching, Wash, Burin on paper. 1810
Goya y Lucientes, Francisco de

Within the Disasters series, Goya repeats subjects to emphasise certain aspects of war and its consequences. The connections he establishes through the titles reinforces this, as may be appreciated in [+]

Rabble
Drypoint, Etching, Wash, Burnisher, Burin on paper. 1810 - 1815
Goya y Lucientes, Francisco de
Rabble
Drypoint, Etching, Wash, Burnisher, Burin on paper. 1810 - 1815
Goya y Lucientes, Francisco de

The one-word title that Goya applied to this print has been traditionally interpreted as a pejorative designation for the protagonists of the scene. Indeed, the first definition for populacho in the R [+]

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