The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
32 results
The Siesta, or Pompeian Scene
Oil on canvas. 1868
Alma-Tadema, Sir Lawrence
The Siesta, or Pompeian Scene
Oil on canvas. 1868
Alma-Tadema, Sir Lawrence

A domestic scene set in classical antiquity. An old man and a youth recline on divans while an attractive young woman plays music on a double flute. Both the clothing and the setting suggest the Greek [+]

Crouching Aphrodite
White marble. Mid-IIcentury
Roman Sculptor
Crouching Aphrodite
White marble. Mid-IIcentury
Roman Sculptor

Roman copy of a crouching Aphrodite who originally had both arms raised to shake her long hair with her hands. The copy is based on a late Hellenistic original created circa 100 B. C. in Rhodes which, [+]

Venus of Madrid
White marble. Ca. 150
Roman Sculptor
Venus of Madrid
White marble. Ca. 150
Roman Sculptor

This sculpture is a Roman copy of a Hellenistic original dating from the second-first century B.C. Stripped of the baroque additions that distorted it, it is part of a large cycle of Venuses linked by [+]

Aegis-Bearing Jupiter
White marble. Ca. 150
Roman Sculptor
Aegis-Bearing Jupiter
White marble. Ca. 150
Roman Sculptor

The Roman image of Jupiter, inspired by a statue of Zeus from the fifth century B. C., shows the god wearing the aegis (protective cloak) which, according to Homer, was used by Zeus as a weapon to cre [+]

Dionysus and his Entourage
White marble. Ca. 50 a.C.
Hellenistic Workshop
Dionysus and his Entourage
White marble. Ca. 50 a.C.
Hellenistic Workshop

The static figure of Dionysus appears in the midst of the uncontrolled dance of his entourage, leaning on a small satyr, his servant. The relief highlights the contrast between his thoughtful posture [+]

Torso of Aphrodite
Marble. 50 - 75
Roman Sculptor
Torso of Aphrodite
Marble. 50 - 75
Roman Sculptor

In order to emphasise Aphrodite’s nudity and arouse interest Hellenistic artists rarely depicted her entirely without clothes. Here the goddess’s mantle is held up between her legs. This sculpture fol [+]

Small Kouros
Marble. Ca. 545 a.C.
Naxian Sculptor
Small Kouros
Marble. Ca. 545 a.C.
Naxian Sculptor

The kouroi (“young people”), statues of nude men with long hair and a somewhat stiff posture, based on Egyptian art, are the most representative sculptures in marble of the Greek Archaic Period. They [+]

Apollo with Zither
White marble. 175 - 200
Roman Sculptor
Apollo with Zither
White marble. 175 - 200
Roman Sculptor

This statue is a Roman copy of a late Hellenistic statue (c. 100 B. C.) which, in turn, was inspired by the main statue of the temple of Apollo Sosianus in Rome, made by the Athenian sculptor Timarchi [+]

Isis
White marble. 170 - 190
Roman Sculptor
Isis
White marble. 170 - 190
Roman Sculptor

Roman copy of a late Hellenistic figure, created in Egypt circa 100 B. C. The cult of Isis was widely disseminated in the Roman world and was practised especially by women. She wears a typical Egyptia [+]

The Dance of the Maenads
White marble. 120 - 140
Roman Sculptor
The Dance of the Maenads
White marble. 120 - 140
Roman Sculptor

The four reliefs of Bacchantes (E00042, E00043, E00045 y E00046) are Roman copies of Greek originals made in Athens in the late fifth-century B.C. to adorn a monument to Dionysius, or related with the [+]

Head of a Horse
Marble. Ca. 515 a.C.
Greek Sculptor From Attica
Head of a Horse
Marble. Ca. 515 a.C.
Greek Sculptor From Attica

The original context for this partially conserved life-size sculpture of a horse’s head is now unknown. Only a few clues remain to clarify it. García y Bellido determined that it was from late [+]

Sarcophagus with the story of Achilles and Polyxena (Fragment)
White marble. Ca. 250
Taller Neoático
Sarcophagus with the story of Achilles and Polyxena (Fragment)
White marble. Ca. 250
Taller Neoático

Fragment from an incomplete and fragmented Attic sarcophagus (E00118, E00120 and E00182) dating from around 250 A.D. with an especially interesting because it is the only example of its iconography. T [+]

Sarcophagus with the story of Achilles and Polyxena (Fragment)
White marble. Ca. 250
Taller Neoático
Sarcophagus with the story of Achilles and Polyxena (Fragment)
White marble. Ca. 250
Taller Neoático

Fragment from an incomplete and fragmented Attic sarcophagus (E00118, E00120 and E00180) dating from around 250 A.D. with an especially interesting because it is the only example of its iconography. T [+]

Demetrius I Poliorcetes
Bronze. 307 A.C. - 300 a.C.
Hellenistic Workshop
Demetrius I Poliorcetes
Bronze. 307 A.C. - 300 a.C.
Hellenistic Workshop

The monumental dimensions of the bronze head, compatible with a statue approximately 3.5 m high, as well as its individualized features suggests a portrait rather than a mythological image. Schrö [+]

The Dance of the Maenads
White marble. 120 - 140
Roman Sculptor
The Dance of the Maenads
White marble. 120 - 140
Roman Sculptor

The four reliefs of Bacchantes (E00042, E00043, E00045 y E00046) are Roman copies of Greek originals made in Athens in the late fifth-century B.C. to adorn a monument to Dionysius, or related with the [+]

Sarcophagus with the story of Achilles and Polyxena (Fragment)
White marble. Ca. 250
Taller Neoático
Sarcophagus with the story of Achilles and Polyxena (Fragment)
White marble. Ca. 250
Taller Neoático

Fragment from an incomplete and fragmented Attic sarcophagus (E00118, E00120, E00180, E00182) dating from around 250 A.D. with an especially interesting because it is the only example of its iconograp [+]

The Muse Polyhymnia
White marble. 150 - 175
Roman Sculptor
The Muse Polyhymnia
White marble. 150 - 175
Roman Sculptor

The upper part is a Roman copy of a late Hellenistic original (100-50 B. C.). It shows Polyhymnia, the muse of sacred poetry and dance, placing her cloak over her left shoulder. Another copy in the V [+]

Dionysiac Party
Marble. 50 A.C. - 25 a.C.
Roman Sculptor
Dionysiac Party
Marble. 50 A.C. - 25 a.C.
Roman Sculptor

Queen Christina of Sweden’s famous puteal is not a parapet (puteal in Latin), but an altar from the garden of a Roman villa (the top is currently missing). The different scenes of the relief show seve [+]

Up