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Country Life
Oil on canvas. 1620 - 1622
Brueghel The Elder, Jan (Jan 'velvet' Brueghel); Momper II, Joost de
Country Life
Oil on canvas. 1620 - 1622
Brueghel The Elder, Jan (Jan 'velvet' Brueghel); Momper II, Joost de

A broad view of the Flemish countryside, with diverse scenes of peasants carrying out their respective tasks. This is one of the finest examples of the collaboration between Jan Brueghel “the Elder”, who is thought to have painted the figures, and Joos de Momper, who made the landscape. The scene is formed by accumulating various planes that follow each other toward the back, in perspective. The e

Isabel Clara Eugenia in the Site of Breda
Oil on canvas. Ca. 1628
Snayers, Peter
Isabel Clara Eugenia in the Site of Breda
Oil on canvas. Ca. 1628
Snayers, Peter

Representación del sitio de Breda, que tuvo lugar entre el 12 de septiembre de 1624 y el 2 de junio de 1625. En primer plano aparece la visita de la infanta gobernadora al campo de batalla tras la victoria, junto a otros personajes entre los que se encuentra Ambrosio de Spinola.El primer dato documental de esta obra lo da el inventario del Alcázar de 1636: ".... el sitio de Breda, con moldura dora

The Siege of Gravelines
Oil on canvas. 1652
Snayers, Peter
The Siege of Gravelines
Oil on canvas. 1652
Snayers, Peter

Snayers specialised in panoramic views of military actions. Here he offers a topographical presentation of the siege of Gravelines (France) by the Spanish troops in 1652. On the right Snayers shows the rain falling on the area and also includes a map which functions to emphasise the illusion of depth in the scene.

Market and Washing Place in Flanders
Oil on canvas. Ca. 1620
Brueghel The Elder, Jan (Jan 'velvet' Brueghel); Momper II, Joost de
Market and Washing Place in Flanders
Oil on canvas. Ca. 1620
Brueghel The Elder, Jan (Jan 'velvet' Brueghel); Momper II, Joost de

This excellent example of the collaboration between Brueghel and Momper depicts simple rural life in Flanders, joining the genre of landscape painting with that of everyday life. The groups of figures were made by Brueghel, while Momper painted the landscape, with his characteric violet tonalities in the background. Here, Momper abandons his broad panoramas in favor of a more realistic perspective

The Ommegang in Brussels: Procession of Guilds
Oil on canvas. 1616
Alsloot, Denis Van
The Ommegang in Brussels: Procession of Guilds
Oil on canvas. 1616
Alsloot, Denis Van

Desfile, por la plaza de Bruselas, de los gremios de la ciudad, con sus insignias y gran número de cofrades; desde galerías y balcones presencian la comitiva numerosos espectadores. El fondo es la Grand Place, un fiel testimonio urbanístico de la fisonomía de la plaza, antes del bombardeo de 1695, ordenado por Luis XIV. La Maison du Roi, de las corporaciones y los pignons de bois, que desaparecier

Landscape with Sea and Mountains
Oil on canvas. Ca. 1623
Momper II, Joost de
Landscape with Sea and Mountains
Oil on canvas. Ca. 1623
Momper II, Joost de

Momper was one of the finest Flemish landscape painters of the first decades of the seventeenth century. He built his works on very concrete models that he repeated in many paintings. One of them was a large-format landscape with figures in the foreground carrying out an anecdotic or everyday activity. Here the figures are hunters, along with riders and beggars. Toward the background, as was custo

Night-time Attack on Lille
Oil on canvas. 1650
Snayers, Peter
Night-time Attack on Lille
Oil on canvas. 1650
Snayers, Peter

The text at the bottom of the painting identifies the city as Lille, for which reason the painting may depict an attack of 1641. The soldiers in the foreground wear the blue of the French army while those on the outskirts of the city and on its walls are Spanish, bearing red standards. The depiction of a battle scene at night is very unusual.

Celebration of the Ommegang in Brussels: the procession of Our Lady of the Sablon
Oil on canvas. 1616
Alsloot, Denis Van
Celebration of the Ommegang in Brussels: the procession of Our Lady of the Sablon
Oil on canvas. 1616
Alsloot, Denis Van

In the Place du Grand Sablon in Brussels various groups of magistrates, confraternities, religious orders and leading citizens march with a statue of the Virgin and the reliquary of Saint Juliana of Nicomedia. The painting is part of a series commissioned from Van Alsloot by Albert of Austria and Isabel Clara Eugenia, governors of the Spanish Netherlands, to mark various festivities that took plac

The Siege of Aire-sur-la-Lys
Oil on canvas. 1653
Snayers, Peter
The Siege of Aire-sur-la-Lys
Oil on canvas. 1653
Snayers, Peter

As court painter to the Cardinal-Infante Ferdinand, Snayers’s compositions both document and glorify Spanish military activities. This painting represents the capture of Aire-sur-la-Lys from the French troops by the Cardinal-Infante’s army in 1641. The topographical landscape in the background and the genre episodes in the foreground are influenced by Jacques Callot’s etching The Siege of Breda.

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