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Decoy Hunting
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Decoy Hunting
Oil on canvas. 1775
Goya y Lucientes, Francisco de

This is a hunting stand with two caged birds as decoys, a crouching dog, and a net on the tree that frames the group. The study of the birds and dog, as well as the bush in the foreground, reveal Goya [+]

Woman with two Boys at a Fountain (“Poor People at the Fountain”)
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de
Woman with two Boys at a Fountain (“Poor People at the Fountain”)
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de

A woman and two children collect water from a stone fountain. The bare fields and leafless tree in the background relate this scene to Winter (P0798). Romantic critics gave this painting its name, alt [+]

Cats fighting
Oil on canvas. 1786
Goya y Lucientes, Francisco de
Cats fighting
Oil on canvas. 1786
Goya y Lucientes, Francisco de

Two cats, their fur standing up and their backs arched, spit and face off on top of a brick wall. This is one of the cartoons for the Prince and Princess of Asturias´ dining room in El Pardo. As its n [+]

The Grape Harvest or Autumn
Oil on canvas. 1786
Goya y Lucientes, Francisco de
The Grape Harvest or Autumn
Oil on canvas. 1786
Goya y Lucientes, Francisco de

Dressed in yellow clothes that symbolize autumn, a young man sitting on a stone offers a cluster of black grapes to a lady. A boy is eager to reach the offered fruit, which is reserved for the adults. [+]

Boys with Mastiffs
Oil on canvas. 1786
Goya y Lucientes, Francisco de
Boys with Mastiffs
Oil on canvas. 1786
Goya y Lucientes, Francisco de

Two boys hold two large, muzzled mastiffs by their leads. On the collar of one dog is an incomplete inscription reading "DEL SoR", which may mean "I am in the Royal Service". The format of this cartoo [+]

Hunter by a Spring
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de
Hunter by a Spring
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de

A hunter rests beside a spring, his shotgun still on his lap. The figure´s solitude and his distracted gaze bring out the peace of life in Nature. The naturalism of the composition and its strai [+]

Shepherd Playing a Pipe
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de
Shepherd Playing a Pipe
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de

A musician, traditionally identified with a shepherd by his clothing, leans back onto a hillock in the landscape and plays his dulzaina, a traditional Spanish double-reed instrument. Like its companio [+]

The Injured Mason
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de
The Injured Mason
Oil on canvas. 1786 - 1787
Goya y Lucientes, Francisco de

Two workers carry another, who has been wounded in a work accident. The scaffolding in the background reveals the underlying subject as workers´ safety. The painting is an example of Goya´s social pre [+]

Magpie in a Tree
Oil on canvas. 1786
Goya y Lucientes, Francisco de
Magpie in a Tree
Oil on canvas. 1786
Goya y Lucientes, Francisco de

This cartoon was for one of the tapestries to be hung in the Prince of Asturias´ dining room at the El Pardo Palace. Its narrow, elongated format indicates it was intended to be hung in a corner [+]

The Flower Girls or Spring
Oil on canvas. 1786
Goya y Lucientes, Francisco de
The Flower Girls or Spring
Oil on canvas. 1786
Goya y Lucientes, Francisco de

A young woman holding a girl by the hand receives a rose from another who kneels down to appreciate some flowers. A male figure behind them attempts to surprise the first woman with a baby rabbit he h [+]

The Drunken Mason
Oil on canvas. 1786
Goya y Lucientes, Francisco de
The Drunken Mason
Oil on canvas. 1786
Goya y Lucientes, Francisco de

A drunken mason is carried off the building site by two of his companions, who cannot repress their smirks at the drunk´s situation: he lacks his trousers and his stockings have fallen down. Thi [+]

Dogs on a Leash
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Dogs on a Leash
Oil on canvas. 1775
Goya y Lucientes, Francisco de

A tapestry cartoon with two chained dogs, two shotguns, a powder horn, and other hunting implements on a small hill, with a landscape in the background. The resulting tapestry was intended to hang ove [+]

The Threshing Ground or Summer
Oil on canvas. 1786
Goya y Lucientes, Francisco de
The Threshing Ground or Summer
Oil on canvas. 1786
Goya y Lucientes, Francisco de

Goya depicts this season with a scene of harvesters recovering from the summer heat by sitting beside a pile of recently harvested wheat sheafs. Some, like the figure on the right, continue their labo [+]

Painting and Music
Bronze. 1730 - 1740
Bertós, Francesco
Painting and Music
Bronze. 1730 - 1740
Bertós, Francesco

Owing to their ascending composition and their evidently decorative character, it is believed that these sculptural groups, the so-called Triumphs, were designed as table centrepieces. Like its pair ( [+]

The Martyrdom of Saint Eulalia
Marble. 1753 - 1759
Michel, Roberto
The Martyrdom of Saint Eulalia
Marble. 1753 - 1759
Michel, Roberto

The saint is possibly Eulalia (292-304 AD), a Christian martyr from Mérida whose terrible torture on the order of the prefect Dacian included being whipped and having lighted torches applied to [+]

Saint Ildefonso and Saint Leocadia
Marble. 1753 - 1761
Michel, Roberto
Saint Ildefonso and Saint Leocadia
Marble. 1753 - 1761
Michel, Roberto

This relief depicts the two patron saints of Toledo. The seventh-century Archbishop Ildefonso is seen kneeling and witnessing the miraculous opening of the tomb of the fourth-century martyr Leocadia. [+]

The Mathematical Sciences
Marble. 1753 - 1759
Helgueros, Andrés de los
The Mathematical Sciences
Marble. 1753 - 1759
Helgueros, Andrés de los

In the centre is a symbolic representation of Mathematics based on Cesare Ripa’s Iconology (1593). Holding a globe in one hand, with the other she uses a compass on a tablet held up by a boy. The flan [+]

Philosophy
Marble. 1753 - 1756
Ortiz, Fernando
Philosophy
Marble. 1753 - 1756
Ortiz, Fernando

The figure of Philosophy, personified by the woman in the centre, holds a sceptre, book and hourglass. Accompanying her are, amongst other figures, the Greek philosopher Theophrastus, considered the f [+]

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