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Girl with a Barrel
Oil on canvas. XVII century
Anonymous
Girl with a Barrel
Oil on canvas. XVII century
Anonymous

[+]

Young Violinist
Oil on canvas. XVII century
Anonymous
Young Violinist
Oil on canvas. XVII century
Anonymous

This painting was first included in the 1873 edition of the Museo del Prado catalogue, which states that it was rescued from the fire at the Alcázar Palace in Madrid in 1734. However, it is not [+]

Luis de Góngora
Oil on canvas. After 1622
Anonymous (Copy After Velázquez, Diego Rodríguez de Silva y)
Luis de Góngora
Oil on canvas. After 1622
Anonymous (Copy After Velázquez, Diego Rodríguez de Silva y)

By 1599, Francisco Pacheco had already begun work on his Libro de descripción de verdaderos retratos de ilustres y memorables varones (Book of Descriptions of True Portraits of Illustrious and [+]

View of the Waterfall at Tivoli, with Fishermen
Oil on canvas. 1639 - 1641
Anonymous
View of the Waterfall at Tivoli, with Fishermen
Oil on canvas. 1639 - 1641
Anonymous

The painting resembles the View of Tivoli, in size, type of support and subject matter. Indeed, the overhanging rock in the foreground beside the fishermen would appear to be inspired by that beneath [+]

Self-portrait
Oil on canvas. Early XVIII century
Anonymous -Painter- (Copy After Giordano, Luca)
Self-portrait
Oil on canvas. Early XVIII century
Anonymous -Painter- (Copy After Giordano, Luca)

Xavier de salas, en nota manuscrita conservada en el servicio de documentación del Museo del Prado, afirmaba: El retratado en el Prado sea quien fuese es indudablementeel que aparece en el ángulo infe [+]

Soldiers Storming a Fortress
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Salviati, Francesco (Francesco De' Rossi))
Soldiers Storming a Fortress
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Salviati, Francesco (Francesco De' Rossi))

The annotations on the reverse of the old backing attributr this good drawing to Perino del Vaga (1501-1547). The handling seems to me, however, more typical of Salviati. The composition shows an atta [+]

Women and Children, and Other Prisioners, Being Led Away by Soldiers, Some on Horseback
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)
Women and Children, and Other Prisioners, Being Led Away by Soldiers, Some on Horseback
Pencil, Grey-brown ink on brown paper. XVI century
Anonymous (Copy Polidoro Da Caravaggio)

Although traditionally placed in the collection under the name of Polidoro da Caravaggio, I have been unable to trace the composition in that artist´s ouvre. The style of the drawing seems however to [+]

A soldier led away by three others
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
A soldier led away by three others
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

[+]

Battle Scene, with Soldiers Raising the Standard
Pencil, Grey ink, Grey wash, Grey-brown ink, White lead on tinted paper. XVI century
Anonymous (Follower Of Romano, Giulio (Giovanni Francesco Penni))
Battle Scene, with Soldiers Raising the Standard
Pencil, Grey ink, Grey wash, Grey-brown ink, White lead on tinted paper. XVI century
Anonymous (Follower Of Romano, Giulio (Giovanni Francesco Penni))

The central figures of the composition raise the banner with the shield of Pope Clement VII (Giulio de Médicis). The execution is loose and the drawing is evidently the work of a follower. It i [+]

Portrait of the Writer, Xenophon
White marble. II century
Anonymous
Portrait of the Writer, Xenophon
White marble. II century
Anonymous

This portrait of the writer Xenophon (430-354 b.c.e.), who was a disciple of Socrates in Athens and later commanded an army serving the Persians and Spartans, was not identified until 1949, when a her [+]

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