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Hunters Lunching
Oil on canvas. 1774
Castillo, José del
Hunters Lunching
Oil on canvas. 1774
Castillo, José del

This was a cartoon for a tapestry intended to hang in the "chamber room" at the Prince of Asturias and future Charles IV´s quarters in the royal seat of San Lorenzo del Escorial. Mengs appraised [+]

The Wedding
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de
The Wedding
Oil on canvas. 1791 - 1792
Goya y Lucientes, Francisco de

A beautiful young woman has just married an ugly, fat man. From the side he looks like a pig, but he is clearly rich. Wearing a rather worn dress coat, the bride´s father follows the procession [+]

Man condemned by the Inquisition
Oil on canvas. 1860
Lucas Velázquez, Eugenio
Man condemned by the Inquisition
Oil on canvas. 1860
Lucas Velázquez, Eugenio

Wearing a penitent´s hood, a man condemned by the Inquisition rides a burro, receiving the insults of those observing this street scene. Executed with rapid and impasto brushstrokes favors, this work [+]

Woman condemned by the Inquisition
Oil on canvas. 1860
Lucas Velázquez, Eugenio
Woman condemned by the Inquisition
Oil on canvas. 1860
Lucas Velázquez, Eugenio

Wearing a penitent´s hood, a woman condemned by the Inquisition rides a burro, receiving the insults of those observing this street scene. Executed with rapid and impasto brushstrokes favors, this wor [+]

The Slave Girl
Oil on canvas. Ca. 1886
Fabrés y Costa, Antonio María
The Slave Girl
Oil on canvas. Ca. 1886
Fabrés y Costa, Antonio María

Representa a una mujer ajusticiada por haber robado las joyas que penden ante ella, como confirma el letrero en árabe sobre su cabeza: Muerte de ladrón.El autor ofrece una visión romántica del castigo [+]

A Slave for Sale
Oil on canvas. Ca. 1897
Jiménez Aranda, José
A Slave for Sale
Oil on canvas. Ca. 1897
Jiménez Aranda, José

A young, completely nude slave sits on a carpet. The sign hanging from her neck bears a Greek inscription (Rose, 18 years old, on sale for 800 coins) that offers her as merchandise at an Oriental mark [+]

And They Still Say Fish Is Expensive!
Oil on canvas. 1894
Sorolla y Bastida, Joaquín
And They Still Say Fish Is Expensive!
Oil on canvas. 1894
Sorolla y Bastida, Joaquín

This emblematic picture is undoubtedly the best-known work on a social theme produced by Sorolla in his youth. It is also an especially good example of how fully the artist became involved in a genre [+]

The Struggle to Live
Oil on canvas. 1895
Torre y Estefanía, Rafael de la
The Struggle to Live
Oil on canvas. 1895
Torre y Estefanía, Rafael de la

The academic culture of nineteenth-century Spain introduced the concept of decency to the representation of the female nude. During the Restoration, there was a proliferation of images of women oblige [+]

God Bids Us Forgive!
Oil on canvas. 1895
García Sampedro, Luis
God Bids Us Forgive!
Oil on canvas. 1895
García Sampedro, Luis

Taking its cue from serialised fiction, the work narrates the return to her father’s home of a girl and her daughter, the fruit of an extra-marital relationship. Kneeling, she implores clemency from h [+]

Wretch!
Oil on canvas. 1896
Soriano Fort, José
Wretch!
Oil on canvas. 1896
Soriano Fort, José

The significance of this work is revealed by the evident contrast between the clothes of the lowly parents and the smart outfit of their granddaughter, possibly born of an illicit love affair involvin [+]

The Human Beast
Oil on canvas. 1897
Fillol Granell, Antonio
The Human Beast
Oil on canvas. 1897
Fillol Granell, Antonio

A masterpiece of Spanish naturalism inspired by Émile Zola’s novel of the same name, The Human Beast shows a young woman being initiated into prostitution. Dressed in mourning because she has r [+]

Foundling!
Oil on canvas. 1901
Torre y Estefanía, Rafael de la
Foundling!
Oil on canvas. 1901
Torre y Estefanía, Rafael de la

The woman seated at the back of the carriage is an open allusion to the famous parricide immortalised by Sorolla in his painting Another Marguerite!! (Saint Louis, Missouri, Kemper Art Museum). With a [+]

The Rebel
Oil on canvas. Ca. 1914
Fillol Granell, Antonio
The Rebel
Oil on canvas. Ca. 1914
Fillol Granell, Antonio

Amidst insults and evident signs of mistreatment, a girl is expelled by her family from the camp where she lives. In this composition, which was presented at the National Exhibition of 1915, Fillol al [+]

¡Aún dicen que el pescado es caro!
Phototype on card. After 1905
Hauser y Menet -Photographer And Publisher- (After Sorolla y Bastida, Joaquín)
¡Aún dicen que el pescado es caro!
Phototype on card. After 1905
Hauser y Menet -Photographer And Publisher- (After Sorolla y Bastida, Joaquín)

[+]

Nombradme y se salva la patria o El charlatán político
Phototype on card. After 1905
Hauser y Menet -Photographer And Publisher- (After Ferrándiz y Badenes, Bernardo)
Nombradme y se salva la patria o El charlatán político
Phototype on card. After 1905
Hauser y Menet -Photographer And Publisher- (After Ferrándiz y Badenes, Bernardo)

[+]

Mummy’s Boy
Black chalk lines, Red chalk on silk paper. Ca. 1797
Goya y Lucientes, Francisco de
Mummy’s Boy
Black chalk lines, Red chalk on silk paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 4, Mummy´s Boy (G01931, G02092). Its colour and the fact that it did not cover the surface of the paper particularly well made red chalk unsuitable for dark scenes. Th [+]

But if he broke the pitcher
Red chalk on silk paper. Ca. 1797
Goya y Lucientes, Francisco de
But if he broke the pitcher
Red chalk on silk paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 25. Enlightenment intellectuals saw education as the basis for their social reforms. Goya offers eloquent examples of this concept in the numerous Caprichos that illus [+]

Bravissimo!
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
Bravissimo!
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

The title, which is taken from the Caprichos, is an expression of praise for a work of art or performance. Goya criticises those who falsely claim to possess superior gifts; the monkey clumsily imitat [+]

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