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The Virgin and Child with Hernán Gómez Dávila y San Francisco
Oil on panel . XVI century
Orley, Bernard Van
The Virgin and Child with Hernán Gómez Dávila y San Francisco
Oil on panel . XVI century
Orley, Bernard Van

Cruzada Villaamil (1865) no registró la procedencia de esta obra. Pedro de Madrazo señaló en el catálogo del Museo del Prado de 1873 que procedía de la capilla ochavada del convento de San Francisco d [+]

Portrait of a Woman
Oil on panel . Ca. 1514
Sarto, Andrea del
Portrait of a Woman
Oil on panel . Ca. 1514
Sarto, Andrea del

This half-length portrait of an anonymous woman is traditionally though to be of the painter´s wife, Lucrecia del Fede, who he married in 1518. While there are no conclusive arguments in that re [+]

Portrait of a Young Gentleman
Oil on panel . 1517 - 1520
Mostaert, Jan
Portrait of a Young Gentleman
Oil on panel . 1517 - 1520
Mostaert, Jan

As this painting shows, the German portrait style survived in Antwerp well into the sixteenth century: the sitter is shown half-length against a brightly-coloured background. In his left hand he holds [+]

Portrait of a Man
Oil on panel . 1521
Dürer
Portrait of a Man
Oil on panel . 1521
Dürer

This portrait is one of Dürer’s great creations. It offers a three-quarters view of an unidentified person who occupies most of the canvas. Dürer places him in front of a dark background tha [+]

Portrait of an Old Man
Oil on panel . 1525 - 1527
Cleve, Joos Van
Portrait of an Old Man
Oil on panel . 1525 - 1527
Cleve, Joos Van

El personaje es representado de medio cuerpo y ante un fondo oscuro. El artista tradujo de forma magistral el rostro y las manos del anciano e insistió en los detalles fisonómicos, pero materializándo [+]

Portrait of a Woman (Agnese, the painter’s sister-in-law?)
Oil on unlined canvas. 1525 - 1530
Licinio, Bernardino
Portrait of a Woman (Agnese, the painter’s sister-in-law?)
Oil on unlined canvas. 1525 - 1530
Licinio, Bernardino

Modigliani identified the sitter as Agnese, the painter’s sister-in-law, through her resemblance to the woman who appears in the Portrait of Arrigo Licinio and his Family (Rome, Galleria Borghese, inv [+]

The Augsburg Goldsmith Jörg Zörer (?)
Oil on panel . 1531
Amberger, Christoph
The Augsburg Goldsmith Jörg Zörer (?)
Oil on panel . 1531
Amberger, Christoph

Portrayed at less than half-length, the sitter wears a large cap and clothing with a fur collar in the northern style. He holds a carnation in his hands, with a signet ring whose coat of arms consists [+]

Jorg Zörer’s Wife (?)
Oil on panel . 1531
Amberger, Christoph
Jorg Zörer’s Wife (?)
Oil on panel . 1531
Amberger, Christoph

This bust portrait is a companion to that of the sitter´s husband (P02183). Shown at somewhat less than half- length, she wears a white, Nordic-style cap and a severely cut dress, and holds a wh [+]

Portrait of a Humanist
Oil on panel . Ca. 1540
Scorel, Jan Van (Attributed To)
Portrait of a Humanist
Oil on panel . Ca. 1540
Scorel, Jan Van (Attributed To)

Although this panel is not documented, it has been attributed to Scorel since its attribution by Hoogewerff in 1923.The artist depicts the unknown humanist half-length in front of a landscape. Scorel’ [+]

A Crossbowman
Oil on oak panel. Second half of the XVI century
Bosch, Hieronymus (Copy)
A Crossbowman
Oil on oak panel. Second half of the XVI century
Bosch, Hieronymus (Copy)

A model similar to this one appears in the Crown of Thorns at the Royal Museum of Fine Arts in Antwerp, specifically, the figure who is supposed to place the crown of thorns on Christ's head. The figu [+]

Portrait of a Woman aged 35
Oil on panel . 1555
Floris, Frans
Portrait of a Woman aged 35
Oil on panel . 1555
Floris, Frans

Floris was the most important history painter in Antwerp in the second half of the sixteenth century, only painting portraits on a few occasions. The sitters -Portrait of a Gentleman Aged 48 (P1516) a [+]

Portrait of a Man aged 48
Oil on panel . 1555
Floris, Frans
Portrait of a Man aged 48
Oil on panel . 1555
Floris, Frans

Floris was the most important history painter in Antwerp in the second half of the sixteenth century, only painting portraits on a few occasions. The sitters -Portrait of a Gentleman Aged 48 (P01516) [+]

Pietro Manna, médico de Cremona
Oil on canvas. 1557
Anguissola, Lucia
Pietro Manna, médico de Cremona
Oil on canvas. 1557
Anguissola, Lucia

Like her sister Sofonisba, Lucia also received a rigorous artistic education and was similarly gifted at portraiture. Her early death, however, meant that few works by her are known. This canvas, whic [+]

Portrait of a Seated Woman
Oil on panel . 1560 - 1565
Moro, Antonio
Portrait of a Seated Woman
Oil on panel . 1560 - 1565
Moro, Antonio

The fact that the sitter is facing left, and has a little dog -a symbol of marital faithfulness- on her lap suggests that this portrait is one of a pair; the unidentified pendant would have depicted h [+]

Lady with a Yellow Flower
Oil on panel . Ca. 1567
Cronenburch, Adriaen Van
Lady with a Yellow Flower
Oil on panel . Ca. 1567
Cronenburch, Adriaen Van

These four portraits of women, two double ones and two single ones (P02074, P02075 and P02076) presented standing and down to kneelevel, use the same architectural setting. The series is given visual [+]

Dama y niña
Oil on panel . 1567
Cronenburch, Adriaen Van
Dama y niña
Oil on panel . 1567
Cronenburch, Adriaen Van

These four portraits of women, two double ones and two single ones (P02073, P02075 and P02076) presented standing and down to kneelevel, use the same architectural setting. The series is given visual [+]

Lady and Girl
Oil on panel . 1567
Cronenburch, Adriaen Van
Lady and Girl
Oil on panel . 1567
Cronenburch, Adriaen Van

These four portraits of women, two double ones and two single ones (P02073, P02074 and P02076) presented standing and down to kneelevel, use the same architectural setting. The series is given visual [+]

Dama holandesa
Oil on panel . 1567
Cronenburch, Adriaen Van
Dama holandesa
Oil on panel . 1567
Cronenburch, Adriaen Van

These four portraits of women, two double ones and two single ones (P02073, P02074 and P02075) presented standing and down to kneelevel, use the same architectural setting. The series is given visual [+]

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