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The Viol Player
Oil on panel. Ca. 1540
Anonymous
The Viol Player
Oil on panel. Ca. 1540
Anonymous

In this half-length portrait, the young man wears a red cap and holds a musical instrument that combine features of both the vihuela and the violin. While only partially visible, its fretted neck sugg [+]

Portrait of an Unidentified Lady
Oil on canvas. Ca. 1550
Anonymous
Portrait of an Unidentified Lady
Oil on canvas. Ca. 1550
Anonymous

[+]

Portrait of don Rodrigo Vázquez de Arce
Oil on canvas. Ca. 1590
Anonymous (Copy After el Greco (Domenikos Theotokopoulos))
Portrait of don Rodrigo Vázquez de Arce
Oil on canvas. Ca. 1590
Anonymous (Copy After el Greco (Domenikos Theotokopoulos))

Considered a copy of a portrait by El Greco, the more detailed technique deployed here lacks the loose boldness of his brushstroke but the composition and some of the elements within it remain close t [+]

Alonso Martínez de Espinar (¿?)
Oil on canvas. XVII century
Anonymous (Workshop Of Velázquez, Diego Rodríguez de Silva y)
Alonso Martínez de Espinar (¿?)
Oil on canvas. XVII century
Anonymous (Workshop Of Velázquez, Diego Rodríguez de Silva y)

Se identifica al personaje como Alonso Martínez de Espinar (h.1594-1682), ayuda de cámara del príncipe Baltasar Carlos y del propio monarca, entre cuyos cometidos estaba el de acompañar a Felipe IV du [+]

Young Violinist
Oil on canvas. XVII century
Anonymous
Young Violinist
Oil on canvas. XVII century
Anonymous

This painting was first included in the 1873 edition of the Museo del Prado catalogue, which states that it was rescued from the fire at the Alcázar Palace in Madrid in 1734. However, it is not [+]

Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)
Portrait of a Man
Oil on panel. Ca. 1620
Anonymous -Painter- (Circle Of Valckert, Werner Jacobsz)

The 1910 catalogue states that Bredius attributed this painting to Jacop Gerritsz. Cuyp (1594-1652), ascription that was officially accepted by the Museum in 1985. However, neither the typology nor th [+]

The Burial of the Count of Orgaz
Oil on canvas. Ca. 1625
Anonymous (Copy After el Greco (Domenikos Theotokopoulos))
The Burial of the Count of Orgaz
Oil on canvas. Ca. 1625
Anonymous (Copy After el Greco (Domenikos Theotokopoulos))

This painting is a copy of the lower part of El Greco’s celebrated original on display in the church of Santo Tomé, Toledo. A work of considerable quality, it reveals an interesting variety of [+]

Dutch Lady
Oil on panel. 1620 - 1630
Anonymous (Circle Of Pickenoy, Nicolaes Eliasz.)
Dutch Lady
Oil on panel. 1620 - 1630
Anonymous (Circle Of Pickenoy, Nicolaes Eliasz.)

Since it entered the Museum, this picture has been attributed to Michiel Jansz. van Mierevelt (1567-1641), but this ascription cannot be sustained. The type of modelling and the treatment of the light [+]

Luis de Góngora
Oil on canvas. After 1622
Anonymous (Copy After Velázquez, Diego Rodríguez de Silva y)
Luis de Góngora
Oil on canvas. After 1622
Anonymous (Copy After Velázquez, Diego Rodríguez de Silva y)

By 1599, Francisco Pacheco had already begun work on his Libro de descripción de verdaderos retratos de ilustres y memorables varones (Book of Descriptions of True Portraits of Illustrious and [+]

Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous
Portrait of a Gentleman
Albumen, Gouache / tempera, Photomechanical reproduction on photographic paper. Second half of the XIX century
Anonymous

Esta fotografía se había identificado erróneamente como un autorretrato del pintor Carlos Luis de Ribera (1815-1891) a la acuarela y como tal fue publicado en 1983. Previamente, la obra había formado [+]

Portrait of a young woman wearing a ruff
Black chalk, Red chalk on paper. Second half of the XVI century
Anonymous (Copy Barocci, Federico)
Portrait of a young woman wearing a ruff
Black chalk, Red chalk on paper. Second half of the XVI century
Anonymous (Copy Barocci, Federico)

The drawing is laid down onto Brun´s (?) mount, with his inscription F. BAROCCI. The attribution follows the older inscription written in the reverse, in the hand of the so-called Italian Supplier. Th [+]

Portrait of a Lady
Black chalk on yellow laid paper. XVIII century
Anonymous
Portrait of a Lady
Black chalk on yellow laid paper. XVIII century
Anonymous

Retrato de perfil, a la izquierda el medallón está orlado de laurel y palma, y debajo una cartela, todo de tono muy clásico. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. Di [+]

Portrait of a Lady
Black chalk, Touches of white chalk on grey paper. XVIII century
Anonymous
Portrait of a Lady
Black chalk, Touches of white chalk on grey paper. XVIII century
Anonymous

Retrato de una dama que se representa con la cabeza de frente y un enorme sombrero de moda francesa de hacia 1785.Por su factura recuerda dibujos de Antonio González Ruíz. Podría ser obra suya de los [+]

Portrait of a Gentleman (Felipe de la Secada)
Pastel on paper. XIX century
Anonymous
Portrait of a Gentleman (Felipe de la Secada)
Pastel on paper. XIX century
Anonymous

[+]

Portrait of the comic poet Menander
White marble. First half of the I century
Anonymous
Portrait of the comic poet Menander
White marble. First half of the I century
Anonymous

Menander (Athens, 342-293 B.C.) has not been treated fairly by posterity, as almost all the one hundred plays he wrote have been lost. They are known to us, however, through the Roman playwright Plaut [+]

Portrait said to be of Lycurgus
White marble. Early II century
Anonymous
Portrait said to be of Lycurgus
White marble. Early II century
Anonymous

This poorly preserved Roman copy of a Greek original from around 290 b.c.e. belongs to a rather irregular group of five Roman copies of a scupture baselessly identified with Lycurgus of Sparta. It pre [+]

Portrait of the Writer, Xenophon
White marble. II century
Anonymous
Portrait of the Writer, Xenophon
White marble. II century
Anonymous

This portrait of the writer Xenophon (430-354 b.c.e.), who was a disciple of Socrates in Athens and later commanded an army serving the Persians and Spartans, was not identified until 1949, when a her [+]

''Hispania''. Female bust
African marble, White marble. II century
Anonymous
''Hispania''. Female bust
African marble, White marble. II century
Anonymous

This female bust, identified by Hübner in the inventories of the Alcázar, represents Hispania, the personification of Spain, according to a type developed in the time of Philip II. Her hai [+]

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