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Philip IV
Oil on canvas. 1623
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. 1623
Velázquez, Diego Rodríguez de Silva y

We see King Philip IV of Spain (r. 1621-1665) when he was around twenty years old in an austere image filled with references to his status and responsibilities and to the reformist intentions with whi [+]

Maria Anna of Spain, Queen of Hungary
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y
Maria Anna of Spain, Queen of Hungary
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y

Philip IV´s sister, Maria, was born in El Escorial in 1606. As a result of her royal lineage, she was destined to become yet another pawn in the play of matrimonial alliances that the European courts [+]

Infante Don Carlos
Oil on canvas. 1626 - 1627
Velázquez, Diego Rodríguez de Silva y
Infante Don Carlos
Oil on canvas. 1626 - 1627
Velázquez, Diego Rodríguez de Silva y

Following his appointment as painter to the King in 1623, Velázquez`s principal task was that of portraying the monarch and his circle. In order to do so he primarily made use of two different [+]

Philip IV
Oil on canvas. 1626 - 1628
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. 1626 - 1628
Velázquez, Diego Rodríguez de Silva y

This is an extraordinary example of the eventful life of many royal portraits during the Siglo de Oro, and it shows just how much those paintings, rather than immutable artworks, were objects with a r [+]

Philip III on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip III on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

This was one of the paintings decorating the Hall of Realms at Madrid´s Buen Retiro Palace, where various discourses (territorial, mythological, military, and so on) combined to make up the decoration [+]

Queen Margaret of Austria on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Queen Margaret of Austria on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Regardless of the concrete origin of the equestrian portraits for the Hall of Realms, the location for which each was painted, or their sequence, they clearly present a series of formal and iconograph [+]

Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip IV on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

Of the equestrian portraits painted for the Hall of Realms, this is the only one with a declaration of authorship. The lower left corner has been a customary place throughout the history of painting f [+]

Queen Elisabeth of France on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Queen Elisabeth of France on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

This painting was intended to hang to the right of the Equestrian Portrait of Philip IV (P01178) and it depicts that monarch´s first wife, Elizabeth of Bourbon (1602-1644), whom he married in 1615. Th [+]

Prince Baltasar Carlos
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Prince Baltasar Carlos
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

Born to Philip IV and Elizabeth of Bourbon in 1629, Baltasar Carlos was crown prince until his death in 1646. As such, he was the subject of numerous paintings, most of which are related to Velá [+]

Philip IV in Hunting Dress
Oil on canvas. 1632 - 1634
Velázquez, Diego Rodríguez de Silva y
Philip IV in Hunting Dress
Oil on canvas. 1632 - 1634
Velázquez, Diego Rodríguez de Silva y

Between 1635 and 1637, important additions were made to the Torre de la Parada, the king´s hunting pavilion situated in the woodlands surrounding the royal palace of El Pardo, on the outskirts of Madr [+]

Cardinal-Infante Ferdinand of Austria, in Hunting Dress
Oil on canvas. 1632 - 1634
Velázquez, Diego Rodríguez de Silva y
Cardinal-Infante Ferdinand of Austria, in Hunting Dress
Oil on canvas. 1632 - 1634
Velázquez, Diego Rodríguez de Silva y

Born in El Escorial in 1609, don Fernando was the son of Philip III and Margarita de Austria, and thus Philip IV´s brother. As a result, he held very high posts. In 1619, he was appointed cardinal and [+]

Prince Baltasar Carlos on Horseback
Oil on canvas. 1634 - 1635
Velázquez, Diego Rodríguez de Silva y
Prince Baltasar Carlos on Horseback
Oil on canvas. 1634 - 1635
Velázquez, Diego Rodríguez de Silva y

In 1624, soon after Velázquez`s arrival at court, the political writer Almansa noted that the equestrian order was and is the backbone of republics. This notion was shared by the Spanish monarc [+]

Prince Baltasar Carlos in Hunting Dress
Oil on canvas. 1635 - 1636
Velázquez, Diego Rodríguez de Silva y
Prince Baltasar Carlos in Hunting Dress
Oil on canvas. 1635 - 1636
Velázquez, Diego Rodríguez de Silva y

The inscription at the lower left serves to date this portrait between October 1635 and the same month the following year. At that time, following his first Italian visit and his permanent and conscie [+]

Philip IV
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y
Philip IV
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y

This image can be identified as that of a king and as a portrait of Philip IV on the basis of others of the monarch. In fact, nothing about the clothes or the sitter`s actions suggests his royal statu [+]

Philip IV in Armour, with a Lion at his Feet
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in Armour, with a Lion at his Feet
Oil on canvas. Ca. 1653
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

In its present state the painting reveals two different phases of creation. The apparent age of the sitter and the notable similarities with his appearance in Velázquez`s portrait of the elderl [+]

Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Philip IV in prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P001220 and P001222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are [+]

Mariana de Austria in Prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)
Mariana de Austria in Prayer
Oil on canvas. Ca. 1655
Velázquez, Diego Rodríguez de Silva y (Workshop Of)

This pair of portraits (P01220 and P01222) combines several aspects of Spanish portraiture of the Baroque period. In principle, the figures of Philip IV and his second wife, Mariana of Austria, are a [+]

Queen Mariana of Austria
Oil on canvas. 1652 - 1653
Velázquez, Diego Rodríguez de Silva y
Queen Mariana of Austria
Oil on canvas. 1652 - 1653
Velázquez, Diego Rodríguez de Silva y

Mariana of Austria (1634-1696) was the daughter of the Emperor Ferdinand III and María of Hungary. It was intended that she marry her cousin, Prince Baltasar Carlos, but following his death she [+]

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