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The Holy Family with the Infant Saint John the Baptist
Oil on panel. XVI century
Anonymous
The Holy Family with the Infant Saint John the Baptist
Oil on panel. XVI century
Anonymous

[+]

The Virgin with the Child, Saint John and Angels
Oil on panel. XVI century
Anonymous
The Virgin with the Child, Saint John and Angels
Oil on panel. XVI century
Anonymous

[+]

Tantalus
Oil on canvas. XVII century
Anonymous
Tantalus
Oil on canvas. XVII century
Anonymous

The Palacio del Buen Retiro in Madrid boasted a full set of the Furias -Tantalus (P3784), Tityus (P3941), Ixion (P3785) and Sisyphus (P3942)-, now in the Museo del Prado; some scholars maintain that t [+]

Sísifo
Oil on canvas. XVII century
Anonymous
Sísifo
Oil on canvas. XVII century
Anonymous

The Palacio del Buen Retiro in Madrid boasted a full set of the Furias -Tantalus (P3784), Tityus (P3941), Ixion (P3785) and Sisyphus (P3942)-, now in the Museo del Prado; some scholars maintain that t [+]

The Bronze Serpent
Oil on canvas. XVII century
Anonymous
The Bronze Serpent
Oil on canvas. XVII century
Anonymous

As Pieter J. van Thiel suggests, this painting may be a copy made after an engraving by Jan Muller (1590) of Cornelisz. van Haarlem`s original Fortune bestowing her Favours, today at the Musée [+]

Roman Charity
Oil on canvas. XVII century
Anonymous
Roman Charity
Oil on canvas. XVII century
Anonymous

[+]

Fire
Oil on canvas. 1675 - 1700
Anonymous
Fire
Oil on canvas. 1675 - 1700
Anonymous

This canvas by a late 17th-century painter is part of a group of four works, all at the Museo del Prado (P191, P3196, P3197 and P3198), that express the idea of the Elements through motives drawn from [+]

Air
Oil on canvas. 1675 - 1700
Anonymous
Air
Oil on canvas. 1675 - 1700
Anonymous

This canvas by a late 17th-century painter is part of a group of four works, all at the Museo del Prado (P191, P3196, P3197 and P3198), that express the idea of the Elements through motives drawn from [+]

Seated Female Nude
Pencil, Grey-brown ink on yellow paper. First half of the XVI century
Anonymous
Seated Female Nude
Pencil, Grey-brown ink on yellow paper. First half of the XVI century
Anonymous

The style is Parmigianinesque, and the drawing may be by one of the painter’s followers. [+]

Group of five nude men
Pencil, Grey-brown ink on paper. First half of the XVI century
Anonymous
Group of five nude men
Pencil, Grey-brown ink on paper. First half of the XVI century
Anonymous

Evidently a drawing from Bandinelli´s studio, as R. Ward has noted on the modern museum mount (1979). The sheet is much damaged and stained. [+]

Nude infant reclining
Pencil, Grey-brown ink on cream paper. First half of the XVI century
Anonymous
Nude infant reclining
Pencil, Grey-brown ink on cream paper. First half of the XVI century
Anonymous

The traditional attribution is to the Venetian Domenico Campagnola (1500-1564). Although the cross hatching does indeed suggest some of Campagnola´s finely wrought pen drawings, the style seems closer [+]

Proportional Study of a Nude Male Figure
Pencil, Red chalk, Grey-brown ink on yellow paper. XVI century
Anonymous
Proportional Study of a Nude Male Figure
Pencil, Red chalk, Grey-brown ink on yellow paper. XVI century
Anonymous

This is a facsimile copy of a drawing in the Galleria Nazionale, Parma (inv. no. 510/4; Popham, 1971, I, p. 169, no. 533, repr.). [+]

Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
Putti supporting roundels framed in decorative strap-work
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

These two drawings, mounted together, carry a traditional attribution to Baglione (c.1575-1643/44), which is surely incorrect, if one compares the style which that of the St. Jerome in the Prado (D01 [+]

Putti supporting roundels framed in decorative strap-work
Pencil, Wash on paper. XVI century
Anonymous
Putti supporting roundels framed in decorative strap-work
Pencil, Wash on paper. XVI century
Anonymous

These two drawings, mounted together, carry a traditional attribution to Baglione (c.1575-1643/44), which is surely incorrect, if one compares the style which that of the St. Jerome in the Prado (D015 [+]

Nude infant kneeling
Red chalk, Touches of white chalk on dark yellow paper. XVI century
Anonymous
Nude infant kneeling
Red chalk, Touches of white chalk on dark yellow paper. XVI century
Anonymous

It is possible that the drawing could be Florentine, since the child´s head shows some influence of Jacopo Pontormo (1494-1556). [+]

Garland with Putti
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous
Garland with Putti
Pencil, Grey-brown ink, Wash on paper. XVI century
Anonymous

The old attribution to Perino del Vaga (1501-1547) is perhaps too generic. Something about the style and the arrangement of the putti seems rather to point to Northern Italy and to the Circle of Porde [+]

Two nude men, each wearing a tiara [anti-popes (?)]
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Two nude men, each wearing a tiara [anti-popes (?)]
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

One of the figures holds a staff with a scroll. [+]

Allegorical Male Figure [Falsehood(¿?)]
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Allegorical Male Figure [Falsehood(¿?)]
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

Paul Joannides has suggested that a corresponding figure may appear in Salviati´s fresco decoration in the Sala dell´Udienza, the Palazzo Vecchio, Florence. The man has three faces and three animal ma [+]

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