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The Sacrifice of Abraham
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Sacrifice of Abraham
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

The Sacrifice of Abraham
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Sacrifice of Abraham
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

The Sacrifice of Abraham
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Sacrifice of Abraham
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Sensi y Baldachi, Gaspar; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi que reproduce el lienzo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02311). Es la estampa LXIII que iba acompañada de un texto explicativo de José Musso y Valiente. Se incluía en el volumen II de la serie editada por el Real Establecimiento Litográfico, dirigida por José de Madrazo, Colección litográfica de cuadros del rey de España e

The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproduction of prints of paintings from the Royal Collections and its early projects were carried out by Francisco de Goya, who reproduced some of Velázquez’s paintings in 1778, and by Juan Barcel&oacut

The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi (1794-1880) que reproduce el lienzo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02311). Esta estampa se entregaba con el cuadernillo LXIII acompañado de un texto explicativo de José Musso y Valiente. Iba encuadernada en el tomo II de la serie dirigida por José de Madrazo, Colección litográfica de cuadros del rey de España el señor don

The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Triumph of David
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Sensi y Baldachi, Gaspar; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Gaspar Sensi y Baldachi que reproduce el lienzo de Nicolas Poussin conservado en el Museo Nacional del Prado (P02311). Esta estampa se entregaba con el cuadernillo LXIII acompañado de un texto explicativo de José Musso y Valiente. Iba encuadernada en el tomo II de la serie dirigida por José de Madrazo, Colección litográfica de cuadros del rey de España el señor don Fernando VI

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