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The Virgin nursing the Child
Oil on panel. XV century
Anonymous (Copy After Campin, Robert)
The Virgin nursing the Child
Oil on panel. XV century
Anonymous (Copy After Campin, Robert)

Copia en busto del original de La Virgen de la Leche de Robert Campin (hacia 1375-1444) en el Stäedelsches Kunstinstitut de Francfort, repetido en numerosas ocasiones. Fragmentada, debía de tener en o [+]

The Virgin with the Child, Saint John and Angels
Oil on panel. XVI century
Anonymous (Copy After Sarto, Andrea del (Andrea D'agnolo))
The Virgin with the Child, Saint John and Angels
Oil on panel. XVI century
Anonymous (Copy After Sarto, Andrea del (Andrea D'agnolo))

[+]

Head of a Virgin
Oil on canvas. XVII century
Anonymous (Manner Of Reni, Guido)
Head of a Virgin
Oil on canvas. XVII century
Anonymous (Manner Of Reni, Guido)

[+]

The Virgin Dolorosa
Oil on canvas. XVII century
Anonymous (Copy After Sassoferrato)
The Virgin Dolorosa
Oil on canvas. XVII century
Anonymous (Copy After Sassoferrato)

[+]

The Immaculate Conception
Oil on canvas. Second half of the XVII century
Anonymous
The Immaculate Conception
Oil on canvas. Second half of the XVII century
Anonymous

[+]

The Virgin Dolorosa
Oil on canvas. Second half of the XVII century
Anonymous
The Virgin Dolorosa
Oil on canvas. Second half of the XVII century
Anonymous

[+]

The Virgin Mary
Oil on canvas. Early XVIII - XIX century
Anonymous (Copy After Sassoferrato)
The Virgin Mary
Oil on canvas. Early XVIII - XIX century
Anonymous (Copy After Sassoferrato)

[+]

The Immaculate Conception
Oil on canvas. XIX century
Anonymous
The Immaculate Conception
Oil on canvas. XIX century
Anonymous

[+]

The Virgin seated in profile on a throne, with the nude Christ on her lap
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Virgin seated in profile on a throne, with the nude Christ on her lap
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

This is a facsimile copy, omitting some of the lines found in the original, of a drawing in the Uffizi, Florence, published by the Suidas as by Luca Cambiaso (in. no. 876) [+]

The Virgin and Child Enthroned, with St. Roch and St. Sebastian
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Virgin and Child Enthroned, with St. Roch and St. Sebastian
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

Another directly corresponding School version of this drawing was formerly in the Suida Manning Collection, New York, and is now in the Jack S. Blanton Museum of Art, at the University of Texas, Austi [+]

Interior with the Virgin and Child, St. Mark and an Allegory of Venice
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Interior with the Virgin and Child, St. Mark and an Allegory of Venice
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

Through the open window is glimpsed a view of the piazza in front of the Doges´ Palace, behind the square is the basilica of S. Marco, the Campanile and the Torre dell´Orologio. Given the drawing´s su [+]

The Virgin and Child Seated with the Infant St. John the Baptist and a Child Angel, from the Terranuova Madonna
Red chalk on paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))
The Virgin and Child Seated with the Infant St. John the Baptist and a Child Angel, from the Terranuova Madonna
Red chalk on paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))

An annotation on the mount correctly identifies the drawing as a copy after Raphael´s picture in the Gemäldegalerie, Berlin, which is generally dated 1504-5. Being an offset, however, the design [+]

The Virgin and Child, with the Infant Baptist, adored by a bearded monastic saint
Pencil, Pencil ground, Grey-brown ink on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Virgin and Child, with the Infant Baptist, adored by a bearded monastic saint
Pencil, Pencil ground, Grey-brown ink on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

The old attribution is to: SCHIDONE. The style is clearly that of a follower of Cambiaso, and the treatment of the heads, especially that of the Virgin, suggests the work of Lazzaro Tavarone (c. 1556- [+]

The Virgin and Child, with the Infant St. John the Baptist, in a landscape
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Virgin and Child, with the Infant St. John the Baptist, in a landscape
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

[+]

The Virgin and Child, with St. Anne, seated on the group out-of-doors, in front of a wall
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Virgin and Child, with St. Anne, seated on the group out-of-doors, in front of a wall
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

See the entry for the related drawing from the Cambiaso Album (no. 10, D01875). [+]

The Virgin and Child, with St. Anne
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Virgin and Child, with St. Anne
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

Apparently traced from a pen-and wash drawing by Cambiaso or a member of his studio in the Louvre, or from another, superior version of this drawing (inv. no. 9228). An identical composition occurs in [+]

The Virgin seated with the Christ Child in her lap
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Virgin seated with the Christ Child in her lap
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

The psychology of the group, with the Virgin bending her face down to kiss the Christ Child´s breast, and the cradling of his left foot in her left hand, are deftly conveyed by the minimum of means. T [+]

The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous
The Virgin, surrounded by angels, appearing to a Pope, a King and a Doge, in the Presence of Kings, Bishops, Monks and Nuns
Pencil, Pencil ground, Grey wash, Grey-brown ink, Grey-brown wash, White lead on paper. XVI century
Anonymous

The composition, which I have been unable so far to identify, may have been taken from a print. The inventor of the design was evidently either Venetian or Veronese. [+]

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