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Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace J [+]

Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace J [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Paolo Veronés (P00498), conservado en el Museo Nacional del Prado. De esta estampa existen pocos ejemplare [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Jorro, José -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de José Jorro (activo en Madrid entre 1832 y 1837) que reproduce el óleo de Paolo Veronés (P00498), conservado en el Museo Nacional del Prado. De esta estampa existen pocos ejemplare [+]

Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Bartholomew
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint Bartholomew
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Bartholomew
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Bartholomew
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Bartholomew
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint Bartholomew
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
López, Juan Antonio -Lithographer- (After Ribera, Jusepe de, lo Spagnoletto); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Stephen accused of Blasphemy
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint Stephen accused of Blasphemy
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Mary Magdalene
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guerrero, Antonio -Lithographer- (After Reni, Guido); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Mary Magdalene
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guerrero, Antonio -Lithographer- (After Reni, Guido); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Last Supper
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Last Suppe
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Juanes, Juan de (Vicente Juan Masip)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint Anthony Abbot and Saint Paul the Hermit
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanchard, Pharamond -Lithographer- (After Velázquez, Diego Rodríguez de Silva y); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía, sin encuadernar, de Pharamond Blanchard que reproduce el lienzo del mismo título de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado (P01169). Esta est [+]

Saint Matthew and Saint John the Evangelist
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco y Assensio, Alejandro -Lithographer- (The Original Work, According To Inscriptions, Attributed To Ribalta, Francisco); Ribalta, Juan (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint Matthew and Saint John the Evangelist
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco y Assensio, Alejandro -Lithographer- (The Original Work, According To Inscriptions, Attributed To Ribalta, Francisco); Ribalta, Juan (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Saint Matthew and Saint John the Evangelist
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco y Assensio, Alejandro -Lithographer- (The Original Work, According To Inscriptions, Attributed To Ribalta, Francisco); Ribalta, Juan (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Matthew and Saint John the Evangelist
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco y Assensio, Alejandro -Lithographer- (The Original Work, According To Inscriptions, Attributed To Ribalta, Francisco); Ribalta, Juan (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Infant Saint John the Baptist
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Camarón y Torra, Vicente -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Infant Saint John the Baptist
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Camarón y Torra, Vicente -Lithographer- (After Murillo, Bartolomé Esteban); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Apostle James
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Camarón y Torra, Vicente -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Apostle James
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Camarón y Torra, Vicente -Lithographer- (After Murillo, Bartolomé Esteban); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
González Villamil, Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Murillo, Bartolomé Esteban (Copy); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
González Villamil, Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Murillo, Bartolomé Esteban (Copy); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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