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Archduke Alberto de Austria
Oil on canvas. Ca. 1615
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
Archduke Alberto de Austria
Oil on canvas. Ca. 1615
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Alberto de Austria, the sovereign prince of the Low Countries, is dressed in black and sits under a canopy indicating that this is a court portrait. Unlike the customary indoor portraits, this one is set on a balcony open to a landscape that includes Tervuren Palace, near Brussels. This portrait, and that of his wife, Isabel Clara (P01684), seeks not only to bring out the figure of the Archduke, b

The Infanta Isabel Clara Eugenia
Oil on canvas. Ca. 1615
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Infanta Isabel Clara Eugenia
Oil on canvas. Ca. 1615
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Like the portrait of her husband (P01683), Isabel Clara Eugenia, ruler of the Low Countries, is depicted sitting under a red canopy on a balcony open to landscape. In this case, the palace visible in the distance is Mariemont, one of the Infanta´s favorites, which she had remodeled. The style of her clothing, especially the collar, date this work from the beginning of the second decade of the seve

The Sense of Sight
Oil on panel. 1617
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Sight
Oil on panel. 1617
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the Elder”. Rubens placed his figures in the magnificent courtly scenes created by Brueghel as settings for these allegories of the senses, resulting in a series of enormous quality and esthetic appeal. The subject was widely employed in Flemish painting. Sight was consider

The Sense of Hearing
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Hearing
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses (Sight, Hearing, Smell, Taste, Touch) was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the elder.” Rubens placed his figures in the magnificent courtly scenes created by Brueghel as settings for these allegories of the senses, resulting in a series of enormous quality and esthetic appeal. The subject was widely employed i

The Sense of Smell
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Smell
Oil on panel. 1617 - 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses (Sight, Hearing, Smell, Taste, Touch) was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the Elder”. Rubens placed his figures in the magnificent courtly scenes created by Brueghel as settings for these allegories of the senses, resulting in a series of enormous quality and esthetic appeal. The subject was widely employed i

The Vision of Saint Hubert
Oil on panel. 1617 - 1620
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Vision of Saint Hubert
Oil on panel. 1617 - 1620
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Legend has it that Saint Hubert encountered a magnificent buck while hunting. When he tried to kill the animal, he saw a cross appear between the animal´s antlers. That is when he took the Christian faith. This story is identical to that of the conversion of Saint Eustace, with whom this painting has been related at times. Saint Hubert lived in Liege, in the Low Countries, and his conversion was m

The Virgin and Child in a Painting surrounded by Fruit and Flowers
Oil on panel. 1617 - 1620
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Virgin and Child in a Painting surrounded by Fruit and Flowers
Oil on panel. 1617 - 1620
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

Jan Brueghel’s compositions with garlands surrounding holy figures were a reaction against Protestant ideas that refuted the cult of images. In the centre of the composition is a painted image of the Virgin, which hangs from the garland. The figures of Mary and the Christ Child were painted by Rubens.

The Sense of Taste
Oil on panel. 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Taste
Oil on panel. 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses (Sight, Hearing, Smell, Taste, Touch) was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the Elder”. Rubens placed his figures in the magnificent courtly scenes created by Brueghel as settings for these allegories of the senses, resulting in a series of enormous quality and esthetic appeal. The subject was widely employed i

The Sense of Touch
Oil on panel. 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Touch
Oil on panel. 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses (Sight, Hearing, Smell, Taste, Touch) was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the Elder”. Rubens placed his figures in the magnificent courtly scenes created by Brueghel as settings for these allegories of the senses, resulting in a series of enormous quality and esthetic appeal. The subject was widely employed i

The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas; Rubens, Peter Paul (Author Of The Original Work); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas; Rubens, Peter Paul (Author Of The Original Work); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860). Reproduce el lienzo, conservado en el Museo Nacional del Prado (P01411), de la conversión de san Huberto, cuya figura del santo fue pintada por Rubens; el resto de la composición es de la mano de Jan Brueghel “el Viejo”. El lienzo, en su momento, se creyó solo de Brueghel, tal y como se indica en la letra de la estampa. El título

The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas; Rubens, Peter Paul (Author Of The Original Work); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Hubert
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas; Rubens, Peter Paul (Author Of The Original Work); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860). Reproduce el lienzo, conservado en el Museo Nacional del Prado (P01411), de la conversión de san Huberto, cuya figura del santo fue pintada por Rubens; el resto de la composición es de la mano de Jan Brueghel el Viejo. El lienzo, en su momento, se creyó solo de Brueghel, tal y como se indica en la letra de la estampa. El título q

The Vision of Saint Hubert
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas; Rubens, Peter Paul (Author Of The Original Work); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Vision of Saint Hubert
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas; Rubens, Peter Paul (Author Of The Original Work); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860). Produce el lienzo, conservado en el Museo Nacional del Prado (P01411), de la conversión de san Huberto, cuya figura del santo fue pintada por Rubens; el resto de la composición es de la mano de Jan Brueghel el Viejo. El lienzo, en su momento, se creyó solo de Brueghel, tal y como se indica en la letra de la estampa. El título que

The Vision of Saint Hubert
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas; Rubens, Peter Paul (Author Of The Original Work); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Hubert
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Pic de Leopold, Andreas; Rubens, Peter Paul (Author Of The Original Work); Brueghel The Elder, Jan (Jan 'velvet' Brueghel) (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Andreas Pic de Leopold (1789?-después de 1860). Reproduce el lienzo, conservado en el Museo Nacional del Prado (P01411), de la conversión de san Huberto, cuya figura del santo fue pintada por Rubens; el resto de la composición es de la mano de Jan Brueghel el Viejo. El lienzo, en su momento, se creyó solo de Brueghel, tal y como se indica en la letra de la estampa.El título qu

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