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Saint Barbara was a third-century Christian martyr imprisoned in a tower and later decapitated by her father, Dioscoro, as punishment for not wanting to marry and refusing to profess paganism. Goya de [+]
The Victorious Hannibal is the first documented work by Goya. He painted it in Rome in 1771 in order to submit it that year to the competition held by the prestigious Academy of Fine Arts in Parma whe [+]
A tapestry cartoon with two chained dogs, two shotguns, a powder horn, and other hunting implements on a small hill, with a landscape in the background. The resulting tapestry was intended to hang ove [+]
This cartoon is for a tapestry to hang in a corner next to a door or window and is the pair to Hunter loading his Rifle (P-5539). Goya creates a perfect fusion between the figure and the natural setti [+]
This is a hunting stand with two caged birds as decoys, a crouching dog, and a net on the tree that frames the group. The study of the birds and dog, as well as the bush in the foreground, reveal Goya [+]
Goya uses a single work to present two types of hunting —on foot and on horseback— and various types of individuals. In the foreground, one hunter shoots quail while another follows his dog, which sme [+]
This tapestry cartoon shows a hunter loading a shotgun, with a dog lying at his feet and other hunters behind him. This work is as fine example of Goya´s interest in Nature. He perfectly integra [+]
In this work, Goya represented two different country activities. The background shows hunters, but the foreground has a boy fishing in a river, which gives this work its title. This was a cartoon for [+]
The pyramidal composition and precise, polished forms of both the bodies and the drapery, all emphasised by the intense illumination, indicate the continuing and direct influence of Anton Rafael Mengs [+]
This tapestry cartoon represents a popular scene of Majos and Majas on the banks of Madrid´s Manzanares River. The Hermitage of the Virgin of the Port is just visible behind a group of trees on [+]
This tapestry cartoon represents a popular scene of Majos and Majas dancing Seguidillas on the banks of Madrid´s Manzanares River. In the background, Goya painted the area around the Pontones Br [+]
This tapestry cartoon represents a quarrel among men in front of a tavern which Goya calls the New Tavern. The area near Madrid now called “Ventas,” and tknown as “Ventas del Espíritu Santo” in [+]
This cartoon depicts an encounter between a young woman in elaborate traditional costume and her partner, described by Goya in his bill to the Tapestry Manufactory as a “gypsy man and woman”. Accompan [+]
This tapestry cartoon depicts five people. The young man in the foreground is drinking from a wineskin while his companion eats a chive or tender onion. This scene has been interpreted as an allegory [+]
This tapestry cartoon depicts a young woman. She is sitting, with a dog on her lap, and is accompanied by a Majo who protects her from the sun with a parasol. This work's format and bottom-to-top pers [+]
This is the preparatory sketch for the cartoon of The Fight at the New Inn (P-770). It differs from the final composition in some respects, most importantly the name of the inn, which is “The Cock Inn [+]
In Goya´s own words, the scene depicts some young people who have “gone out to the country to fly a kite.” The couples that appear behind the main group show that this subject is a pretext allow [+]
A group of Majos play cards in the country, under the shade of an awning hung in a tree. Behind them, another Majo makes signs to his companion, helping him with the game. Goya uses a new and very ric [+]
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