This is a Roman copy of an Attic work of about 410-400 B. C. representing Hermes in the form of a pillar. In Athens, the different types of hermae included those donated by councillors so they could b [+]
The central part of a late Hellenistic marble krater. The receptacle has high reliefs which show the mythical fight of the lapiths against the centaurs, understood in the fifth century B. C. as a symb [+]
Queen Christina of Sweden’s famous puteal is not a parapet (puteal in Latin), but an altar from the garden of a Roman villa (the top is currently missing). The different scenes of the relief show seve [+]
This Augustean-era classicist version of a late Hellenistic Eros (c. 100 B. C.) once carried a metal torch in each hand. It is an example of the so-called “dumb servants”. In this case, the Cupid prob [+]
Gaius Caesar (20 B. C.- 4 A. D.) was adopted, together with his brother Lucius Caesar, in the year 16 B.C. by his grandfather the emperor Augustus, with a view to possibly having him succeed him. This [+]
Two ancient fragments with a different origin were skilfully joined in the seventeenth century to create the statue. Augustus, clad in the toga of a Roman citizen, offers a sacrifice with his head cov [+]
This is a Roman copy of a statue of Athena, created between 450 and 440 B. C. by the Greek sculptor Myron, together with the figure of Marsyas. Installed on the Acropolis of Athens, between the Propyl [+]
This Roman copy of a late Hellenistic eclectic sculpture (c. 100 B. C.) is based on several models: the body on the Narcissus of the School of Polyclitus (c. 400 B. C.) and the head on that of the Are [+]
Roman copy of a herm dating from between 425 and 420 B. C. It was the tyrant Hipparchus of Athens who ordered the construction, circa 520 B. C. of the first hermae of this type, milestones topped with [+]
A brilliant orator and politician, Cicero (106-43 BC) became the literary reference for the values of Roman culture. This bust retains the original inscription with his name and age at his death in Ro [+]
Este retrato presenta a un romano desconocido. Con su cabello corto, una expresión facial resuelta y firme, la nariz de curvatura audaz, el mentón anguloso y bien afeitado, encarna el ideal de un roma [+]
A concern to reflect the inevitable effects of time is clearly evident in the features of this head, which follows earlier Republican models associated with ancestor worship. The subject’s advanced ag [+]
The eagle and weapons are part of a funerary monument from the period of Emperor Augustus (27 B.C.-14 A.D.). This sculpture was found with many other works in the country villa of Marcus Valerius Mess [+]
The son and heir of Tiberius, Drusus the Younger was portrayed from his father’s assumption of imperial power in 14 A. D., until his own violent death at the hands of his wife in 23 A. D. The realism [+]
For many years considered a Roman work from the Hadrianic period, this marble is now known to be Italian and close in style to the work of Tullio Lombardo. It is notably similar to his figure of Adam [+]
A member of the Numidian royal family and King of Mauretania, Juba II (52 BC-AD 23) was a cultured and fully romanised client king. Educated in Rome, he married the daughter of Mark Anthony and Cleopa [+]
In the relief there is a remarkable combination of different types of plants, acanthus tendrils which end in rose flowers and tendrils with lancet-shaped leaves and fruits, emphasize the truly fantast [+]
Menander (Athens, 342-293 B.C.) has not been treated fairly by posterity, as almost all the one hundred plays he wrote have been lost. They are known to us, however, through the Roman playwright Plaut [+]