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Saint Peter
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Peter
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Aunque la estampa está firmada por F. Taylor, esta litografía que reproduce el óleo de José de Ribera (P01071), se atribuye a Isidore-Justine-Séverin Taylor (1789-1879) (Vega, J.: Museo del Prado. Cat [+]

Saint Peter
Crayon lithography, Pen lithography, Scraper, Lithographic tusche wash on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Saint Peter
Crayon lithography, Pen lithography, Scraper, Lithographic tusche wash on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Aunque la estampa está firmada por F. Taylor, esta litografía que reproduce el óleo de José de Ribera (P01071), se atribuye a Isidore-Justine-Séverin Taylor (1789-1879) (Vega, J.: Museo del Prado. Cat [+]

Women Gladiators
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Women Gladiators
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Aunque la estampa está firmada por J. F. Taylor, esta litografía, que reproduce el óleo de José de Ribera (P01124), custodiado en el Museo Nacional del Prado, se atribuye a Isidore-Justine-Séverin Tay [+]

Women Gladiators
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Women Gladiators
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Aunque la estampa está firmada por J. F. Taylor, esta litografía, que reproduce el óleo de José de Ribera (P01124), custodiado en el Museo Nacional del Prado, se atribuye a Isidore-Justine-Séverin Tay [+]

Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace J [+]

Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Saint James the Greater
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
Taylor, Isidore-Justine-Séverin -Lithographer- (Attributed To); Ribera, Jusepe de, lo Spagnoletto (Author Of The Original Work); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Aunque la estampa está firmada por J. F. Taylor, esta litografía que reproduce el óleo de José Ribera (P01082), se le asigna a Isidore-Justine-Séverin Taylor (1789-1879) según la atribución que hace J [+]

Boy with a Pinwheel and Man pulling a Cart with a body
Pencil, Grey-brown ink, Pencil strokes, Wash on laid paper. Ca. 1640
Ribera, Jusepe de, lo Spagnoletto
Boy with a Pinwheel and Man pulling a Cart with a body
Pencil, Grey-brown ink, Pencil strokes, Wash on laid paper. Ca. 1640
Ribera, Jusepe de, lo Spagnoletto

Until now, this drawing has been dated in the 1630s, fundamentally because its subject matter can be related to the epidemics of cholera and leprosy that struck the city of Naples in those years. Styl [+]

The Crowning with Thorns
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. First half of the XVII century
Ribera, Jusepe de, lo Spagnoletto
The Crowning with Thorns
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. First half of the XVII century
Ribera, Jusepe de, lo Spagnoletto

Se conoce una variante de la composición en un dibujo de Ribera, a sanguina, conservado en el Museo Británico. [+]

The penitent Saint Jerome
Oil on canvas. 1652
Ribera, Jusepe de, lo Spagnoletto
The penitent Saint Jerome
Oil on canvas. 1652
Ribera, Jusepe de, lo Spagnoletto

Emerging from a dark background, a half-length image of a man appears in the close foreground, his right shoulder and arm bare, his hair white and long, his features aged. He holds a wooden cross in h [+]

The Immaculate Conception
Oil on canvas. 1647
Ribera, Jusepe de, lo Spagnoletto
The Immaculate Conception
Oil on canvas. 1647
Ribera, Jusepe de, lo Spagnoletto

La obra se sitúa en la fase final de la actividad del artista, que utiliza el mismo esquema compositivo que otras composiciones anteriores suyas del mismo tema. Se conocen numerosas copias, entre ella [+]

Saint Jerome
Oil on canvas. 1644
Ribera, Jusepe de, lo Spagnoletto
Saint Jerome
Oil on canvas. 1644
Ribera, Jusepe de, lo Spagnoletto

By the time he entered his last period, a life dedicated to the representation of religious scenes led Ribera to develop a supreme mastery in the transmission of religious feelings with a great econom [+]

Saint Mary of Egypt
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Saint Mary of Egypt
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

The painting is among a group of eight full-length single-figure composition of saints by Ribera that in 1658 were in the Madrid collection of Don Jerónimo de la Torre, a member of the Royal Co [+]

Penitent Magdalen
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Penitent Magdalen
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

Traditionally identified as the woman who was a sinner and wept on Christ’s feet and wiped away her tears with her hair (Luke 7:36-50), Mary Magdalene is shown here as the hermit saint she became upon [+]

Saint Bartholomew
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Saint Bartholomew
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

The saint in this painting can be identified by the knife in his right hand - the tool with which he was skinned. The work is part of a set of four hermits, although it is unusual to see this saint re [+]

Saint Andrew
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Saint Andrew
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

Series of Apostles became very popular during the Counter-reformation; they were usually half-length figures against a neutral background, holding their iconographical attributes. One of the most impo [+]

Saint John the Baptist in the Desert
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto
Saint John the Baptist in the Desert
Oil on canvas. 1641
Ribera, Jusepe de, lo Spagnoletto

The painting is among a group of eight full-length single-figure composition of saints by Ribera that in 1658 were in the Madrid collection of Don Jerónimo de la Torre, a member of the Royal Co [+]

Saint Paul the Hermit
Oil on canvas. 1640
Ribera, Jusepe de, lo Spagnoletto
Saint Paul the Hermit
Oil on canvas. 1640
Ribera, Jusepe de, lo Spagnoletto

Saint Paul, the first hermit, is shown meditating before a skull in solitude. This work dates from the final stage of Ribera’s career, which, in contrast to the darkness of his early years, is a phase [+]

Liberation of Saint Peter
Oil on canvas. 1639
Ribera, Jusepe de, lo Spagnoletto
Liberation of Saint Peter
Oil on canvas. 1639
Ribera, Jusepe de, lo Spagnoletto

Saint Peter lies in prison where his sleep is interrupted by an angel who frees him. This subject allows Ribera to create a work in which he can show the very best of his mature style. The work combin [+]

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