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Saint Barbara
Oil on canvas. Ca. 1772
Goya y Lucientes, Francisco de
Saint Barbara
Oil on canvas. Ca. 1772
Goya y Lucientes, Francisco de

Saint Barbara was a third-century Christian martyr imprisoned in a tower and later decapitated by her father, Dioscoro, as punishment for not wanting to marry and refusing to profess paganism. Goya de [+]

Italian Notebook
Black chalk, Pencil, Red chalk, Bistre, Grey-brown ink, Iron gall ink on laid paper. 1771 - 1788
Goya y Lucientes, Francisco de
Italian Notebook
Black chalk, Pencil, Red chalk, Bistre, Grey-brown ink, Iron gall ink on laid paper. 1771 - 1788
Goya y Lucientes, Francisco de

Goya bought this sketchbook during his two-year sojourn in Italy, between 1769 and 1771. A taccuino or aide-mémoire, it includes the earliest drawings made at the time, among them copies of pai [+]

The Victorious Hannibal seeing Italy from the Alps for the first Time
Oil on canvas. 1771
Goya y Lucientes, Francisco de
The Victorious Hannibal seeing Italy from the Alps for the first Time
Oil on canvas. 1771
Goya y Lucientes, Francisco de

The Victorious Hannibal is the first documented work by Goya. He painted it in Rome in 1771 in order to submit it that year to the competition held by the prestigious Academy of Fine Arts in Parma whe [+]

Angel's head
Red chalk on laid paper, brown paper. 1772
Goya y Lucientes, Francisco de
Angel's head
Red chalk on laid paper, brown paper. 1772
Goya y Lucientes, Francisco de

This is one of Goya´s earliest preserved drawing and one of the few known to have been a preparatory work for a painting, in this case for a fresco on the dome over the choir loft in the Basilica of t [+]

Decoy Hunting
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Decoy Hunting
Oil on canvas. 1775
Goya y Lucientes, Francisco de

This is a hunting stand with two caged birds as decoys, a crouching dog, and a net on the tree that frames the group. The study of the birds and dog, as well as the bush in the foreground, reveal Goya [+]

Hunting Party
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Hunting Party
Oil on canvas. 1775
Goya y Lucientes, Francisco de

Goya uses a single work to present two types of hunting —on foot and on horseback— and various types of individuals. In the foreground, one hunter shoots quail while another follows his dog, which sme [+]

A Hunter with his Hounds
Oil on canvas. 1775
Goya y Lucientes, Francisco de
A Hunter with his Hounds
Oil on canvas. 1775
Goya y Lucientes, Francisco de

This cartoon is for a tapestry to hang in a corner next to a door or window and is the pair to Hunter loading his Rifle (P-5539). Goya creates a perfect fusion between the figure and the natural setti [+]

The Holy Family with the Infant Saint John the Baptist
Oil on canvas. 1775 - 1780
Goya y Lucientes, Francisco de
The Holy Family with the Infant Saint John the Baptist
Oil on canvas. 1775 - 1780
Goya y Lucientes, Francisco de

The pyramidal composition and precise, polished forms of both the bodies and the drapery, all emphasised by the intense illumination, indicate the continuing and direct influence of Anton Rafael Mengs [+]

Dogs on a Leash
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Dogs on a Leash
Oil on canvas. 1775
Goya y Lucientes, Francisco de

A tapestry cartoon with two chained dogs, two shotguns, a powder horn, and other hunting implements on a small hill, with a landscape in the background. The resulting tapestry was intended to hang ove [+]

Hunter loading his Rifle
Oil on canvas. 1775
Goya y Lucientes, Francisco de
Hunter loading his Rifle
Oil on canvas. 1775
Goya y Lucientes, Francisco de

This tapestry cartoon shows a hunter loading a shotgun, with a dog lying at his feet and other hunters behind him. This work is as fine example of Goya´s interest in Nature. He perfectly integra [+]

The Angler
Oil on canvas. 1775
Goya y Lucientes, Francisco de
The Angler
Oil on canvas. 1775
Goya y Lucientes, Francisco de

In this work, Goya represented two different country activities. The background shows hunters, but the foreground has a boy fishing in a river, which gives this work its title. This was a cartoon for [+]

The Picnic
Oil on canvas. 1776
Goya y Lucientes, Francisco de
The Picnic
Oil on canvas. 1776
Goya y Lucientes, Francisco de

This tapestry cartoon represents a popular scene of Majos and Majas on the banks of Madrid´s Manzanares River. The Hermitage of the Virgin of the Port is just visible behind a group of trees on [+]

Dance on the Banks of the Manzanares
Oil on canvas. 1776 - 1777
Goya y Lucientes, Francisco de
Dance on the Banks of the Manzanares
Oil on canvas. 1776 - 1777
Goya y Lucientes, Francisco de

This tapestry cartoon represents a popular scene of Majos and Majas dancing Seguidillas on the banks of Madrid´s Manzanares River. In the background, Goya painted the area around the Pontones Br [+]

Children blowing up a Bladder
Oil on canvas. 1777 - 1778
Goya y Lucientes, Francisco de
Children blowing up a Bladder
Oil on canvas. 1777 - 1778
Goya y Lucientes, Francisco de

Some boys whose clothing indicates they are from a wealthy family, play in the country, inflating a bladder under the watchful eyes of their nannies, who converse in the background. This is one of Goy [+]

The Fight at the Cock Inn (Brawl at the Mesón del Gallo Inn)
Oil on canvas. 1777
Goya y Lucientes, Francisco de
The Fight at the Cock Inn (Brawl at the Mesón del Gallo Inn)
Oil on canvas. 1777
Goya y Lucientes, Francisco de

This is the preparatory sketch for the cartoon of The Fight at the New Inn (P-770). It differs from the final composition in some respects, most importantly the name of the inn, which is “The Cock Inn [+]

The Woodcutters
Oil on canvas. 1777 - 1780
Goya y Lucientes, Francisco de
The Woodcutters
Oil on canvas. 1777 - 1780
Goya y Lucientes, Francisco de

Two woodcutters with their axes are cutting the branches of a tree while a third, seen from behind, collects the wood. The format of this cartoon indicates that it was designed for an over-window and [+]

The Parasol
Oil on canvas. 1777
Goya y Lucientes, Francisco de
The Parasol
Oil on canvas. 1777
Goya y Lucientes, Francisco de

This tapestry cartoon depicts a young woman. She is sitting, with a dog on her lap, and is accompanied by a Majo who protects her from the sun with a parasol. This work's format and bottom-to-top pers [+]

An Avenue in Andalusia, or The Maja and the Cloaked Men
Oil on canvas. 1777
Goya y Lucientes, Francisco de
An Avenue in Andalusia, or The Maja and the Cloaked Men
Oil on canvas. 1777
Goya y Lucientes, Francisco de

This cartoon depicts an encounter between a young woman in elaborate traditional costume and her partner, described by Goya in his bill to the Tapestry Manufactory as a “gypsy man and woman”. Accompan [+]

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