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Isabella of Bourbon, Countess of Charolais
Oil on canvas mounted on panel. XV century
Anonymous
Isabella of Bourbon, Countess of Charolais
Oil on canvas mounted on panel. XV century
Anonymous

Isabella of Bourbon, Countess of Charolais (1434-1465) was the second wife of Charles the Bold, Count of Charolais and future Duke of Burgundy. [+]

Charles the Bold, Duke of Burgundy
Oil on canvas mounted on panel. XV century
Anonymous
Charles the Bold, Duke of Burgundy
Oil on canvas mounted on panel. XV century
Anonymous

[+]

The Creation
Oil on panel. S XV - XVI century
Bosch, Hieronymus (Workshop Of)
The Creation
Oil on panel. S XV - XVI century
Bosch, Hieronymus (Workshop Of)

[+]

The Temptations of Saint Anthony
Oil on oak panel. S XV - XVI century
Bosch, Hieronymus (Copy)
The Temptations of Saint Anthony
Oil on oak panel. S XV - XVI century
Bosch, Hieronymus (Copy)

Interrumpen la lectura del santo ermitaño visiones obscenas y monstruosas a su alrededor, en la lejanía y en los aires. Es copia reducida con algunas variantes, como P2050, de una portezuela del trípt [+]

Visio Tondali
Oil on panel. XV century
Bosch, Hieronymus (Copy)
Visio Tondali
Oil on panel. XV century
Bosch, Hieronymus (Copy)

Visio Tondalii fue el título de un poema anónimo del siglo XII de contenido moralizante, impreso en Amberes en 1482, que es considerado como una de las fuentes literarias de la obra de El Bosco. [+]

The Virgin nursing the Child
Oil on panel. XV century
Anonymous
The Virgin nursing the Child
Oil on panel. XV century
Anonymous

Copia en busto del original de La Virgen de la Leche de Robert Campin (hacia 1375-1444) en el Stäedelsches Kunstinstitut de Francfort, repetido en numerosas ocasiones. Fragmentada, debía de tener en o [+]

The Annunciation
Oil on oak panel. 1420 - 1425
Campin, Robert
The Annunciation
Oil on oak panel. 1420 - 1425
Campin, Robert

The event is set in a gothic temple, alluding to the New Law that replaces the old one, represented by the Romanesque tower in the background. The sculptures on the outside of the church and on the to [+]

The Betrothal of the Virgin
Grisaille, Oil on oak panel. 1420 - 1430
Campin, Robert
The Betrothal of the Virgin
Grisaille, Oil on oak panel. 1420 - 1430
Campin, Robert

Two scenes are represented in this work. On the left, in a circular, Romanesque interior covered with a dome, is the Miracle of the flowering Rod, which designated Joseph as the man to marry Mary. In [+]

The Descent from the Cross
Oil on panel. Before 1443
Weyden, Rogier Van Der
The Descent from the Cross
Oil on panel. Before 1443
Weyden, Rogier Van Der

The Descent from the Cross was painted for the Chapel of Our Lady Outside the Walls at Leuven, which was founded in the fourteenth century by the Great Crossbowmen`s Guild, sold in 1798 and demolished [+]

Triptych with Episodes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours
Triptych with Episodes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours

The Triptych in the Museo del Prado labeled as Scenes from the Life of Christ is a pivotal work in the story of Valencian painting in the fifteenth century and in the transmission of the style and tec [+]

The Virgin and Child, known as the Durán Madonna
Oil on panel. 1435 - 1438
Weyden, Rogier Van Der
The Virgin and Child, known as the Durán Madonna
Oil on panel. 1435 - 1438
Weyden, Rogier Van Der

The panel has been trimmed on all four sides but little of the painted surface can have been lost. It is made from two boards of Baltic oak, both from the same tree; the last ring was formed in 1372. [+]

Saint John the Baptist and the Franciscan Heinrich von Werl
Oil on oak panel. 1438
Campin, Robert
Saint John the Baptist and the Franciscan Heinrich von Werl
Oil on oak panel. 1438
Campin, Robert

An inscription in gothic letters identifies the sitter and dates the work: "In the year 1438, I painted this effigy of Master Heinrich von Werl, Doctor of Cologne". A Provincial of the Franciscan Orde [+]

Saint Barbara
Oil on oak panel. 1438
Campin, Robert
Saint Barbara
Oil on oak panel. 1438
Campin, Robert

Saint Barbara reads by the light of a fireplace in a richly appointed room. The key to her identity lies outside the window that opens onto a landscape with a tower, her customary attribute. That is w [+]

Pietà
Oil on panel. 1440 - 1450
Weyden, Rogier Van Der (Workshop Of)
Pietà
Oil on panel. 1440 - 1450
Weyden, Rogier Van Der (Workshop Of)

The panel has been extended at the top: the original part is one board of Baltic oak, horizontal in grain and about 27 cm high. Sections of the unpainted edges survive on all four sides. The last ring [+]

Triptych of the Life of the Virgin
Oil on panel. Ca. 1445
Bouts, Dirk
Triptych of the Life of the Virgin
Oil on panel. Ca. 1445
Bouts, Dirk

This triptych presents four scenes: the Annunciation, the Visitation, the Adoration of the Angels and the Adoration of the Magi. Painted around 1445, it is considered the earliest surviving work by Di [+]

The Fountain of Grace
Oil on panel. 1440 - 1450
Eyck, Jan Van (Workshop Of)
The Fountain of Grace
Oil on panel. 1440 - 1450
Eyck, Jan Van (Workshop Of)

This painting is made in three planes. At the top, Christ on the throne between the Virgin and Saint John the Evangelist with the Lamb at his feet, from which a spring flows. In the middle plane are a [+]

Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Crucifixion
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. The triptych belonged t [+]

Triptych of the Redemption: The Expulsion of Adam and Eve from Paradise
Oil on panel. Ca. 1450
Master Of The Prado Redemption
Triptych of the Redemption: The Expulsion of Adam and Eve from Paradise
Oil on panel. Ca. 1450
Master Of The Prado Redemption

This triptych is the principal creation and the work that has given the name to an anonymous follower of Rogier van der Weyden, previously identified as Vrancke van der Stockt. When open the triptych [+]

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